At the counter in the library
a man says "I'm 79, guess I've
got another twenty years to go."
Coughs. He and the librarian
chat about cancer and dead kin.
The acoustics here are bright
and his voice bounces off
blonde bookshelves, reaches
me as though I were wearing
an ear trumpet. "It was '54,
'55, something like that," he
says, chuckles, blows his nose.
The kids along the wall get
to jawing, lined up
at the free public use computers.
"I could tell you a bunch
more stories," the man says,
the librarian says, "I bet."
A kid from one of the carrels
comments loudly. Someone
else turns up the sound on her
computer. A truck blats past.
The man hawks volubly, it
bounces between the science
books and the plays. A boy
pushes back his chair, it rasps
and his friend says, "lays an
egg," which is unrelated. "That
right?" says the libararian, and
"yaaah." "I thought that was
ridiculous," the man continues,
"You take care," the libarian says.
"I'm doing what I can," he says,
and then they get to repeating
goodbyes, he isn't leaving and
she isn't shelving books.
---
Saturday afternoon, November 1st at the Chiloquin Library.
Last night more trick or treaters than I've seen in five years
in Seattle. I went back out to the store to buy more candy,
bought the last two bags - a KitKat and a Baby Ruth. The
remains I brought with me - they're now in the libarian's
basket on the check-out counter. Last night I watched TV,
first time since I got here - Halloween and Jim called from
Shawna and Todd's - Todd had made Jim a Vampire Blood-
tini, and they were about to watch "Shawn of the Dead."
I have lots of remotes, but can't figure out how to play
a dvd. "The DaVinci Code" was on what turned out to be
a Christian focus channel - one ad was for a five day pray-
a-thon the station will be broadcasting next week, over-
lapping voting day and its aftermath. The ad breaks
were long and I ate a lot of mini KitKats and Baby Ruths,
not even tasting them - greedy, needy and insatiable.
Saturday, November 01, 2008
Wednesday, October 29, 2008
White people, who have never allowed not knowing to interfere with aggressive action, stocked the lake, which had previously been home to virtually no living thing outside of bacteria, with lots and lots of fish. Brown trout, rainbow trout and some kind of salmon survive. Obviously nobody migrates to spawn. Populations are small as there isn't much to eat. (notice sudden escape from documentary tone.)
When we came here, Jim and I, 32 years ago, we walked from the lodge down to lake. The trail is gone. Rangers said there's a walkable trail on the northeast side of the lake, but we didn't drive over there to find it. We didn't even ask if there was a boat anymore to take tourists around Wizard Island. I like that the lake is that much less accessible to human messing about.
At school, we talked about rap. I wrote a rap draft yesterday morning, in the persona of a mythical upper middle class white person, possibly commander in chief, who knows. Here goes:
(It's a draft remember. I said it in front of the juniors, no beats, and those who looked back at me looked stricken, except one girl who said it was AWESOME, who is awesome, you are awesome Vanessa!):
Rap of Our Supremacy
We pound the wrong, who are in our way and brown,
we’re righteous, we’re free, they all want to be we.
The weak make us angry, let us take things away,
they pray so they say in their temples and mosques
pray to animals, the Milky Way – we don’t trust them
so we blow them away, we cage them and burn them,
make them do what we say. We remember the Alamo,
foxhole. Don’t point out Viet Nam or Gitmo - we gotta go
and take what we need. It isn’t greed like they spew
in their ignorant screed, claim we’re imperial in their
funereal attempts to save their puny ways. We don’t rue
what we do. If we’re wrong, we’d know it, forego it.
We’re the good ones, we’re virtuous and right
We believe what we’re told, we don’t misuse our might.
But we know when to throw our weight around
we’ve got the book of his word and we know who to pound.
No time to help the poor, fix our streets, give kids
something warm to eat, we gotta beat feet anywhere
you others dare to keep what you have, believe
you have the right to save yourselves and your weird
way of life. We come bearing gifts to heal your rifts,
commerce in drifts. You want what we have, we know
that you do – Gap, Target, MacDonalds, Kentucky Fried –
inside you want it, to be just like us, drive fast cars,
blot out the stars with traffic lights and all night bars.
You’ve got your fists around our oil. What could you
want with it? We’ve toiled – best workers in the world –
your hearts yearn for our stars and stripes way of life.
We’re the good ones, we’re virtuous and right
We believe what we’re told, we don’t misuse our might.
But we know when to throw our weight around
we’ve got the book of his word and we know who to pound.
You hate us cuz we’re free. Watch our TV, don’t believe
what you see. That brotha, he lies, don’t go to his neighborhood.
They’re not good, don’t do what they should. Their minds are wood!
You can’t teach them to change – they won’t forgive the past.
They won’t last, lower cast, oh those are vast. Forget them,
don’t let them pull you down, this is the wrong side of town.
Turn up the jams and put the hammer down. Don’t listen
till you’re far enough away they sound like sheep, such a relief,
they’ll come to grief – and deserve it. They kill each other,
can’t keep a lover, their beef’s just a cover. We don’t owe
them anything – let them mow our acre lawns, sprinklers on
in the dark in the draught – we’re not doing without.
We’re the good ones, we’re virtuous and right
We believe what we’re told, we don’t misuse our might.
But we know when to throw our weight around
we’ve got the book of his word and we know who to pound.
The rest of the world cowers. What should we do – offer
flowers? Please. You die of disease in ugly places, don’t
wash your faces or change your clothes. You blow your
noses in the street, walk over it in dusty feet. You’re
missing teeth, have no education, no sanitation, we can’t
respect your nation. – we have an obligation to perpetuate
our way of life – be a light unto the world and take
what you don’t know you have, and if you do, we’ll charm
you, disarm you, we never mean to harm your mothers
and your kids, your flimsy houses full of mice and lice.
How could you be nice? We don’t think twice. What’s to
understand? You’ve been neglected, we’ll neglect you.
We’re the good ones, we’re virtuous and right
We believe what we’re told, we don’t misuse our might.
But we know when to throw our weight around --
we’ve got the book of his word and we know who to pound.
We’re watching the news when the call comes in,
in midst of financial plummet, war and the election,
Bad connection, “Hey kids, It’s Dad.” Oh God.
-Laura Gamache
FIRST DRAFT, 10/28/08
Gotta go. SIX MORE DAYS! Believe that Obama will win, and that he will work for positive change in this country. I do. I believe. And I'm not a fool.
Wednesday, October 22, 2008
That's Mt. Theisen behind the Klamath Marsh in the photo.
Here I am in Chiloquin, Oregon, south of anywhere on the west coast I have previously called home, autumn in the high country, clear cold air, quaking aspen, three kinds of pine, lots of kinds of people, though their numbers are few. Chiloquin, population 720, according to my Oregon D.O.T. map.
While I've been gone, Seattle poets have gotten over themselves in a big way at Green Lake, standing in a line to tell passers by "I love you," a pile of poetry books on a chair nearby.
While I've been gone, Seattle's Conibear women's crew sent two fours to Boston, where they placed 4th and 7th in the highly competitive Head of the Charles regatta.
I've come here to get in touch with my inner poet, and make her come out and write.
And get organized already! Which is rather beyond her, so I've brought my inner Hun, who used to cox for Conibear, and she's still busy with getting her headgear on, so more on that.
I've come here to teach creative writing at Chiloquin High School two days a week. I'm working with 23 juniors, 32 sophomores and 13 middle school, oops junior high kids.
I've come here to curate an adult writer group, three sessions in Sprague River, four sessions in Chiloquin. The first Sprague River session was last night. Five writers, six counting me. We're launched. Sharing writing is a kind of liftoff. We all agreed the sessions provide deadlines. Our audience awaits our best work! Make time for it! I suggested everyone write down ten observations a day. These can go towards a piece of writing, or augment the other work you're doing. I quoted Henry James, not from the Golden Bowl, but what he said about the writer being a person upon whom nothing is lost.
I've come here to learn something about here. As Perry Chocktoot, Culture Director at the Klamath Tribes said to me two days ago, "You don't know where you are." I asked him to tell me, and he has started to do that.
I've come here to develop reading habits. I've read Buy the Chief a Cadillac, by a cowboy, I've read parts of Stories Along the Sprague, am nearly through The Echo Maker by Richard Price. I have read poetry out of published books and poetry by my students. I like a balance of seasoned work and work by sprouting writers - so that my ear doesn't turn tin. The aspens are turning - leaves swivelling, and going golden. I began accumulating books my first weekend at the local bookstore, half of the Chiloquin Art Center across the street from the grocery store that has a liquor store in a closet straight back from the entry door. Last weekend I went to Portland to be with my Bookarina friends and had the dt's for Powell's. My friend Susan and I wandered the purple, orange, pink and other colored sections of the store. I think poetry is blue, so I spent a lot of time there - I don't look for color, I follow my worn path to get there. Oh, I bought books. I bought a few $1 books, there are sections throughout the store, for the Chiloquin School Library. I gave them to the librarian, along with some I'd brought from home. The books she turned away, Haydn took. Not Haydn the dead composer, Haydn the very alive young teacher I'm working with at the high school.
I came here to write, and I'm writing. I'm writing about my teaching, which is halting as the teaching hasn't found its footing yet. We are not within our flow as yet, my writing about my teaching is a boat I haven't quite gotten my butt to the seat of yet.
I came here to be away from home, to be out of sorts, alien, to look homeward into myself. This is going on. The first couple of nights I was jittery with nothing to do and nobody to be with. It is odd that there's no little cafe to hang out in here. There's no real dependable day to day sit down and jaw with your neighbors place. No wonder the different groups - so far I understand ranchers, Native folks, new transplants with high ideals and money. There's the new community center, where I sit in the library typing. It houses a gallery, the CVIP (Chiloquin Visions in Progress) and the sheriff's department probation officer. There's a Friday night Teen thing happening I think, though I do not KNOW this as a solid given.
Time is a different entity here - I don't trust my pace yet, am still holding back, holding out, unsure of what the hell I'm doing. I keep going. I don't stop. I would like to flow and soar, but that is never an all the time thing. I am a community resource here. I was shocked to discover the writers had not seen each other (the adult writers) since Ellie was here last year. I think I have a mission to help them learn to continue their group in between writing residencies without the group devolving - I have ideas how this could happen - certainly meeting no more frequently than once a month, having a rotating roster of group leaders presenting out of different writing resources. Keeping the same rules as when the writer is here, and in anticipation of the next annual writer visit.
Here I am in Chiloquin, Oregon, south of anywhere on the west coast I have previously called home, autumn in the high country, clear cold air, quaking aspen, three kinds of pine, lots of kinds of people, though their numbers are few. Chiloquin, population 720, according to my Oregon D.O.T. map.
While I've been gone, Seattle poets have gotten over themselves in a big way at Green Lake, standing in a line to tell passers by "I love you," a pile of poetry books on a chair nearby.
While I've been gone, Seattle's Conibear women's crew sent two fours to Boston, where they placed 4th and 7th in the highly competitive Head of the Charles regatta.
I've come here to get in touch with my inner poet, and make her come out and write.
And get organized already! Which is rather beyond her, so I've brought my inner Hun, who used to cox for Conibear, and she's still busy with getting her headgear on, so more on that.
I've come here to teach creative writing at Chiloquin High School two days a week. I'm working with 23 juniors, 32 sophomores and 13 middle school, oops junior high kids.
I've come here to curate an adult writer group, three sessions in Sprague River, four sessions in Chiloquin. The first Sprague River session was last night. Five writers, six counting me. We're launched. Sharing writing is a kind of liftoff. We all agreed the sessions provide deadlines. Our audience awaits our best work! Make time for it! I suggested everyone write down ten observations a day. These can go towards a piece of writing, or augment the other work you're doing. I quoted Henry James, not from the Golden Bowl, but what he said about the writer being a person upon whom nothing is lost.
I've come here to learn something about here. As Perry Chocktoot, Culture Director at the Klamath Tribes said to me two days ago, "You don't know where you are." I asked him to tell me, and he has started to do that.
I've come here to develop reading habits. I've read Buy the Chief a Cadillac, by a cowboy, I've read parts of Stories Along the Sprague, am nearly through The Echo Maker by Richard Price. I have read poetry out of published books and poetry by my students. I like a balance of seasoned work and work by sprouting writers - so that my ear doesn't turn tin. The aspens are turning - leaves swivelling, and going golden. I began accumulating books my first weekend at the local bookstore, half of the Chiloquin Art Center across the street from the grocery store that has a liquor store in a closet straight back from the entry door. Last weekend I went to Portland to be with my Bookarina friends and had the dt's for Powell's. My friend Susan and I wandered the purple, orange, pink and other colored sections of the store. I think poetry is blue, so I spent a lot of time there - I don't look for color, I follow my worn path to get there. Oh, I bought books. I bought a few $1 books, there are sections throughout the store, for the Chiloquin School Library. I gave them to the librarian, along with some I'd brought from home. The books she turned away, Haydn took. Not Haydn the dead composer, Haydn the very alive young teacher I'm working with at the high school.
I came here to write, and I'm writing. I'm writing about my teaching, which is halting as the teaching hasn't found its footing yet. We are not within our flow as yet, my writing about my teaching is a boat I haven't quite gotten my butt to the seat of yet.
I came here to be away from home, to be out of sorts, alien, to look homeward into myself. This is going on. The first couple of nights I was jittery with nothing to do and nobody to be with. It is odd that there's no little cafe to hang out in here. There's no real dependable day to day sit down and jaw with your neighbors place. No wonder the different groups - so far I understand ranchers, Native folks, new transplants with high ideals and money. There's the new community center, where I sit in the library typing. It houses a gallery, the CVIP (Chiloquin Visions in Progress) and the sheriff's department probation officer. There's a Friday night Teen thing happening I think, though I do not KNOW this as a solid given.
Time is a different entity here - I don't trust my pace yet, am still holding back, holding out, unsure of what the hell I'm doing. I keep going. I don't stop. I would like to flow and soar, but that is never an all the time thing. I am a community resource here. I was shocked to discover the writers had not seen each other (the adult writers) since Ellie was here last year. I think I have a mission to help them learn to continue their group in between writing residencies without the group devolving - I have ideas how this could happen - certainly meeting no more frequently than once a month, having a rotating roster of group leaders presenting out of different writing resources. Keeping the same rules as when the writer is here, and in anticipation of the next annual writer visit.
Thursday, October 16, 2008
See Madison Alley Chat (another blog) for my last two Chiloquin posts - who knows how my blogs got transposed? Not me.
I miss the anonymity of city swirling around me
that lets me focus within that swarm,
see my work within a web,
humanity's sweaty perfumed proximity.
Out here I'm the ant who went too far
my feelers touch no other feelers,
I pick up a poem or a dirty sock,
put it down, that 100 mile stare,
wonder where I am when I am not
where I am known. I am only me
but I come trailing everyone I've read
each a bright ribbon on my particolored
fancy dancing dress, all these poetry lines,
poetry minds, best minds who haven't
crashed and burned, or have but caught
some gist of what they were in words
before they left, they soared.
Would you rather be bored?
Hoard your trove of been-done-wrongs?
What about all the yet-unwritten songs?
I want to board that train and ride,
window wide open, vista dome sky,
watch as the world scrolls by.
Do I dare? and do I dare?
oh TS, I do and care to come and go,
What is bliss? What do I not want to miss?
baby you die if you don't try
to see beyond the fence you hide behind
it isn't safe for any of us
to jump off between stops
but we - each of us - face a window
that will can open.
Stick your tongue out
I only want to teach you, reach you.
Come back with me to steam engine days
through the haze at the station
we'll run to clasp hands and board,
fly into the past and get past the pain
that makes us vain. Why me?
Who did this to me? and Why? That's
a hard candy you've gotta suck
till it dissolves. That sweet ache
in the roof of your mouth that leaves
you craving for this vast passing
damaged dangerous person-pulverizing
world with its jagged edges you jerk
back from. You've bled before
and will again, sure as moon draws tide.
Grasp the handrail, pull yourself up
and ride.
I miss the anonymity of city swirling around me
that lets me focus within that swarm,
see my work within a web,
humanity's sweaty perfumed proximity.
Out here I'm the ant who went too far
my feelers touch no other feelers,
I pick up a poem or a dirty sock,
put it down, that 100 mile stare,
wonder where I am when I am not
where I am known. I am only me
but I come trailing everyone I've read
each a bright ribbon on my particolored
fancy dancing dress, all these poetry lines,
poetry minds, best minds who haven't
crashed and burned, or have but caught
some gist of what they were in words
before they left, they soared.
Would you rather be bored?
Hoard your trove of been-done-wrongs?
What about all the yet-unwritten songs?
I want to board that train and ride,
window wide open, vista dome sky,
watch as the world scrolls by.
Do I dare? and do I dare?
oh TS, I do and care to come and go,
What is bliss? What do I not want to miss?
baby you die if you don't try
to see beyond the fence you hide behind
it isn't safe for any of us
to jump off between stops
but we - each of us - face a window
that will can open.
Stick your tongue out
I only want to teach you, reach you.
Come back with me to steam engine days
through the haze at the station
we'll run to clasp hands and board,
fly into the past and get past the pain
that makes us vain. Why me?
Who did this to me? and Why? That's
a hard candy you've gotta suck
till it dissolves. That sweet ache
in the roof of your mouth that leaves
you craving for this vast passing
damaged dangerous person-pulverizing
world with its jagged edges you jerk
back from. You've bled before
and will again, sure as moon draws tide.
Grasp the handrail, pull yourself up
and ride.
Sunday, October 12, 2008
I missed posting yesterday, Michelmas Day, the day after which it is not okay to eat fresh blackberries until next year. I was looking for blackberries.
No, I was not looking for blackberries, I was in Klamath Falls, buying produce at the last farmers' market of the year - baby bok choy!!! the cutest Macintosh apples, the size of baby fists, etc. I found the local NPR station, 90.9 (this may be wrong, my brain is slightly hazy from the absense of oxygen in the wood stove heated innards of the Chiloquin Community Center.)
There is a used bookstore here, run by a man named Richard, who told me it only took him fifty some years to find out what he wanted to do with his life. He opened the bookstore fifteen years ago. The bookstore is labyrintine, and packed floor to ceiling with books and more books, including one area I did not dare enter yet full of old and rare volumes. By here, I mean maybe half a mile from my cabin. He has placed the business and finance bookshelves in the rest room. I think he said he has 100,000 books, but I was slightly delirous at the time so I may have misheard.
I am taking a pine needle basket making class this Thursday from a woman named Hope at the Curio Shop that shares the building with the bookstore, (together they're called the Chiloquin Art Center.)
I spent two hours reading my poems aloud to myself last night, and talking aloud to myself about them. I was practicing for the community reading/welcome Tuesday night, but I felt entirely comfortable opining about myself aloud. Do tell me if you notice me doing this in a public place. Speaking of public places, the Klamath Library is pretty swell, and I found some good books there while listening to a three-woman flute ensemble that was part of the dedication for the memorial garden outside the library yesterday. I'm still feeling a bit hazy and not quite here, not entirely due to my slightly aged woodstove and less than Annie Oakley cowgirl fire laying skills. Though I leap to tell you that I'm one mean beach fire builder.
The train goes through town several times a day with horn blaring, and it does not stop. How does that register with a person growing up here? Do you not hear that horn after awhile? Everybody loves the sound of a train in the distance, everybody thinks it's true is what Paul Simon says, but he didn't grow up here. I wonder what these kids have to say about it.
No, I was not looking for blackberries, I was in Klamath Falls, buying produce at the last farmers' market of the year - baby bok choy!!! the cutest Macintosh apples, the size of baby fists, etc. I found the local NPR station, 90.9 (this may be wrong, my brain is slightly hazy from the absense of oxygen in the wood stove heated innards of the Chiloquin Community Center.)
There is a used bookstore here, run by a man named Richard, who told me it only took him fifty some years to find out what he wanted to do with his life. He opened the bookstore fifteen years ago. The bookstore is labyrintine, and packed floor to ceiling with books and more books, including one area I did not dare enter yet full of old and rare volumes. By here, I mean maybe half a mile from my cabin. He has placed the business and finance bookshelves in the rest room. I think he said he has 100,000 books, but I was slightly delirous at the time so I may have misheard.
I am taking a pine needle basket making class this Thursday from a woman named Hope at the Curio Shop that shares the building with the bookstore, (together they're called the Chiloquin Art Center.)
I spent two hours reading my poems aloud to myself last night, and talking aloud to myself about them. I was practicing for the community reading/welcome Tuesday night, but I felt entirely comfortable opining about myself aloud. Do tell me if you notice me doing this in a public place. Speaking of public places, the Klamath Library is pretty swell, and I found some good books there while listening to a three-woman flute ensemble that was part of the dedication for the memorial garden outside the library yesterday. I'm still feeling a bit hazy and not quite here, not entirely due to my slightly aged woodstove and less than Annie Oakley cowgirl fire laying skills. Though I leap to tell you that I'm one mean beach fire builder.
The train goes through town several times a day with horn blaring, and it does not stop. How does that register with a person growing up here? Do you not hear that horn after awhile? Everybody loves the sound of a train in the distance, everybody thinks it's true is what Paul Simon says, but he didn't grow up here. I wonder what these kids have to say about it.
Friday, October 10, 2008
I'm at the Courtyard Marriott in Springfield, Oregon, typing at the Room 115 desk next to the giant flat screen tv on a swiveling base. I could point that thing right at me if I so chose. I'll be long gone before you could get here. Since I'm right next to the exit door, people are slamming out at and shaking the lampshade on a regular basis. I've traveled alone a bit, and find it interesting that I have more often than not been placed in a room right next to an exit. I'm a woman alone and the desk clerk, usually a young woman, chooses a room next to an exit. I don't get it, but then maybe she doesn't get that there's anything more vulnerable about a room that gets more traffic past it than any other in the whole fracking hotel. But I digress.
Today I see Chiloquin for the first time. I don't get to move into my cabin today, but I do get to meet with the teacher I'll be working with at school.
My car is full. I cannot find my swim bag with my suit, goggles, cap, and Ultraswim shampoo. Jim packed the car, so I have no idea where he put it, or if he put it in at all. He would have packed anything that arrived on the entry rug, but would he have noticed if I hung the bag by its strap on the stair rail? I don't know. I was in no condition to pay attention by the time we left for our late lunch date, after which he went for acupuncture and I headed south on I-5. I stopped at Zupan's on Burnside in Northwest Portland at about 7:30 pm. Comfort of the known. And the outre. A shrine to precious food. I bought devilled eggs, toothpaste and unbleached coffee filters for insulated melitta style coffee pot I brought from Chelan. Out of body, out of place, not yet in process, en route to the unknown I've sought, discomfort and opportunity for change I'm driving toward. I've found a biodiesel source online in Eugene. I've written out directions on the "Accomplished List" notepad here on my desk. I could play video games if I had any idea how to do that with the three fingered hockey glove looking dealie behind the giant tv.
Check out time is noon, but I see no reason to hang out as I cannot locate - it is cold outside and the ground damp - my swim stuff. I love to split sentences awkwardly. Maybe one of the reasons I can work with kids in schools. Though slogging through the 8th grade stories this week made me somewhat sad. Most of the girls wrote variations on what the teacher told me are "gossip girls" plots. Is this a tv show? The protagonist moved from LA to NYC or NYC to LA (or somewhere in the "perfect state of California".) The girl is tall, blonde or auburn haired and hothothot with a perfect body and boyfriend she has left behind/has dumped her for her best friend. Or he doesn't know she exists. Since these are pre-dating girls, the boyfriends are like the "immaculate beemers" they drive, the huge designer purses they sling over their "perfect shoulders" - accessories! The people they love are their friends who 1. they left behind in LA/NYC 2. they meet in NYC/LA 3. betray them 4. forgive them or 5. die after having been betrayed by protagonist. (or all 5.) The protagonist may not realize how hothothot she is until the climax (unfortunate choice of nomenclature.) The protagonist may realize this is not all there is to life, and these girls got better grades. Uh, yes, I did this. The stories were so trite, banal, insubstantial, and frighteningly similar that I wound up evaluating them based on the choices the protagonist made - was there any thought put into the story at all? If the protagonist spent time sorting through what was going on in her fendi/prada or whoever world and I could feel the writer thinking and feeling her unique way into the story, up went the points. People who got the most points were those who wrote about entirely different subjects. This is a Catholic school and it runs on points.
Monday, October 06, 2008
There's a level of self loathing and frantic whizzing I have managed to achieve over the fact that I forgot my inherited iPod in Chelan - came home with a snazzy speaker dock, the charger, the ear buds, a cylindrical duhicky that pulls in radio signals, but apparently the iPod sits alone or next to the current car insurance form for our vehicle, probably on a very visible countertop. I am leaving for a nine week sojourn in southern Oregon this Thursday, so this lack of consciousness is worse than nagging or bothersome. I know I cannot 1. drink 2. eat candy unless I do not care if I can 1. think 2. function.
I have a couple of deadlines looming before I leave, also two hair appointments. THere is a squirrel outside in the drizzle frantically whizzing from my yard to the chicken yard across the alley. He or she has a more coherent handle on his/her activities than I have at the moment. Also, I am wet. I'm hysterical and I'm wet.
I have a couple of deadlines looming before I leave, also two hair appointments. THere is a squirrel outside in the drizzle frantically whizzing from my yard to the chicken yard across the alley. He or she has a more coherent handle on his/her activities than I have at the moment. Also, I am wet. I'm hysterical and I'm wet.
Friday, October 03, 2008
Sheffer Crossword Puzzle Draft, 10/3/08
Here we go again with all the imps and emus
though to confuse the mind we add a tapir
and a mongoose so he will not be alone
though what I'd rather be is bicycling.
I'll ask again how many years I should allot
to idleness and how many thoughts to squalor
and you remind me of all I have to do.
When eek we hear out back beside the ewes
Have we gone mad? Just ask Elvira
she's busy with her navel by that easel
propped in Pollyanna's field. Yield!
we cry like knights not from Columbus
and who among us hasn't channeled Ezra
but back to ewes and their distress, at best
it's someone fussing with recycling
but we are in I fear for drama. Call your mama
or an ant. We wander Walmart (no agora)
and meet again for tea before the spelling
bee. Hee Hee. But as I said before, now, Holst
can keep us spinning when we fall like this to
err to whistle badly by the hour.
--
no animals were hurt in the production of this poem.
--
Here we go again with all the imps and emus
though to confuse the mind we add a tapir
and a mongoose so he will not be alone
though what I'd rather be is bicycling.
I'll ask again how many years I should allot
to idleness and how many thoughts to squalor
and you remind me of all I have to do.
When eek we hear out back beside the ewes
Have we gone mad? Just ask Elvira
she's busy with her navel by that easel
propped in Pollyanna's field. Yield!
we cry like knights not from Columbus
and who among us hasn't channeled Ezra
but back to ewes and their distress, at best
it's someone fussing with recycling
but we are in I fear for drama. Call your mama
or an ant. We wander Walmart (no agora)
and meet again for tea before the spelling
bee. Hee Hee. But as I said before, now, Holst
can keep us spinning when we fall like this to
err to whistle badly by the hour.
--
no animals were hurt in the production of this poem.
--
Thursday, October 02, 2008
The essential human act at the heart of writing is the act of giving.
-Peter Elbow
I'm sending almost daily postcards to Chiloquin, to the teacher and kids I'll be working with at the high school starting October 13. Who are they? What are they thinking, if anything, about this weirdo mailing missives from Seattle. The postcards have collages on their fronts - today's has the Peter Elbow quote, as part of a collage I made almost eight years ago. Here's the text:
I am looking forward to meeting you all, and to doing good writing work together. I believe learning to hear yourself/myself think is a great gift - like creating a map as we wander through the wild country of our lives. Looking forward, Laura Gamache
The challenge for me is to continue creating that map, continue looking at my course. My tendency is to close my eyes, back away, sit beside the trail and reach into my grubby bag of huckleberries and eat them, all. I'm discouraged by rejections, by my own disinclination to push myself, by the current political climate, by anything I can come up with as an excuse! I used to tell people that the Fulkerson Family Motto was: LAY DOWN AND DIE! I'm still a Fulkerson, and I have to fight that tendency to GIVE UP! When I was nineteen, mother said, "I don't understand why you're so unhappy. Just wait and good things will happen to you." WAIT! I HATE to wait! But I am a master at that pose, that stance, that opportunity to ditch the work and do nothing and feel HORRIBLE about it. I loved school as a kid, and felt guilty that I liked my teachers better than my family - my teachers didn't make me clean the toilet, take care of the other kids, listen to their adult yadayadayada about "your father is a good man, but..." When I was eighteen, my mother started to offer wine to me as she whined to me in her bathrobe, hair mangy, wine at her elbow or down the hatch. I sat across from her at the kitchen table, pinned there, with no voice of my own. I didn't drink. My rebellion was in my refusal. Silence. Inaction. Not lifting that glass. Not making facial expressions. I built my ability to completely out, to blur my vision and blunt my consciousness and slam down the door of my emotional reaction to anything she said until it was safe to flee. I've fled. Years and years and years ago, but the habit of distance, of going blank, comes back to me daily. It is so familiar and easy to embrace. My impulse gets me into trouble - I need an adult to take my child in hand, like my therapist offered and I turned away. She's right though. I let my little child self rule - a package of hershey's kisses - you bet. Facing the manuscript, the poems with all their fricking difficulties, primarily their checked-out, freaked-out qualities, not happening. I don't wanna. I don't haveta. Nobody's grading me, nobody cares if my work never gets done, my workroom is a riot of misplaced papers, my car key's left on the freezer shelf and I'm in a sweat to find it but have no memory of where I set it because I'm in that backed-away pose, that waiting to flee stance. There is an enormous amount of exterior crap to flee and it is easy to pin my dis-ease, my refusal to face the roar of the world (thank you Michael Meade) on the $700 billion bailout, on Sarah Palin, on the entire Sudan. It's a lie. I can try. I don't have to lay down and die. I got that DNA din in my ears saying why not? and why? and oh you are so tired, you work so hard, just rest, rest, rest. But that is death talking.
Learning to hear myself think is a lifelong activity. The map has lots of vacant places, vast expanses, dark continents. It isn't just learning, it is doing the practice. Practice practice practice, because that is all I have. Get up in the morning and practice again. See if I can hit a sweet note and love that note, love those minor chords, that dissonance, and when the harmonics accidental though they usually are, kick in, breathe through them and go on, look forward.
-Peter Elbow
I'm sending almost daily postcards to Chiloquin, to the teacher and kids I'll be working with at the high school starting October 13. Who are they? What are they thinking, if anything, about this weirdo mailing missives from Seattle. The postcards have collages on their fronts - today's has the Peter Elbow quote, as part of a collage I made almost eight years ago. Here's the text:
I am looking forward to meeting you all, and to doing good writing work together. I believe learning to hear yourself/myself think is a great gift - like creating a map as we wander through the wild country of our lives. Looking forward, Laura Gamache
The challenge for me is to continue creating that map, continue looking at my course. My tendency is to close my eyes, back away, sit beside the trail and reach into my grubby bag of huckleberries and eat them, all. I'm discouraged by rejections, by my own disinclination to push myself, by the current political climate, by anything I can come up with as an excuse! I used to tell people that the Fulkerson Family Motto was: LAY DOWN AND DIE! I'm still a Fulkerson, and I have to fight that tendency to GIVE UP! When I was nineteen, mother said, "I don't understand why you're so unhappy. Just wait and good things will happen to you." WAIT! I HATE to wait! But I am a master at that pose, that stance, that opportunity to ditch the work and do nothing and feel HORRIBLE about it. I loved school as a kid, and felt guilty that I liked my teachers better than my family - my teachers didn't make me clean the toilet, take care of the other kids, listen to their adult yadayadayada about "your father is a good man, but..." When I was eighteen, my mother started to offer wine to me as she whined to me in her bathrobe, hair mangy, wine at her elbow or down the hatch. I sat across from her at the kitchen table, pinned there, with no voice of my own. I didn't drink. My rebellion was in my refusal. Silence. Inaction. Not lifting that glass. Not making facial expressions. I built my ability to completely out, to blur my vision and blunt my consciousness and slam down the door of my emotional reaction to anything she said until it was safe to flee. I've fled. Years and years and years ago, but the habit of distance, of going blank, comes back to me daily. It is so familiar and easy to embrace. My impulse gets me into trouble - I need an adult to take my child in hand, like my therapist offered and I turned away. She's right though. I let my little child self rule - a package of hershey's kisses - you bet. Facing the manuscript, the poems with all their fricking difficulties, primarily their checked-out, freaked-out qualities, not happening. I don't wanna. I don't haveta. Nobody's grading me, nobody cares if my work never gets done, my workroom is a riot of misplaced papers, my car key's left on the freezer shelf and I'm in a sweat to find it but have no memory of where I set it because I'm in that backed-away pose, that waiting to flee stance. There is an enormous amount of exterior crap to flee and it is easy to pin my dis-ease, my refusal to face the roar of the world (thank you Michael Meade) on the $700 billion bailout, on Sarah Palin, on the entire Sudan. It's a lie. I can try. I don't have to lay down and die. I got that DNA din in my ears saying why not? and why? and oh you are so tired, you work so hard, just rest, rest, rest. But that is death talking.
Learning to hear myself think is a lifelong activity. The map has lots of vacant places, vast expanses, dark continents. It isn't just learning, it is doing the practice. Practice practice practice, because that is all I have. Get up in the morning and practice again. See if I can hit a sweet note and love that note, love those minor chords, that dissonance, and when the harmonics accidental though they usually are, kick in, breathe through them and go on, look forward.
Wednesday, October 01, 2008
Sheffer Crossword Puzzle Poem Draft for 10/1
when we lie down we must obey
drooping eyelids, dropping pulse,
cat stretch to the farthest toes
and down we go and far away
where everything will be okay.
Our leaders lead and we obey
daylight, we are far from home
our fears beset our sleep, we're
apt to toss our cookies for an ace
this petty place rapacious sheaf
another boy cries wolf our roles
woo nightmares, noone in the nick
can rescue gracious dames while
slither tongues and liquid clocks
wind spacious orbits at a slant
we can't quite see but spacious
to sleep perchance to stir another
fate that doesn't smell like skunk
another punk voracious and in
vain so vain windvane spin
the bottle punch the throttle we
barely toddle. Close our eyes.
when we lie down we must obey
drooping eyelids, dropping pulse,
cat stretch to the farthest toes
and down we go and far away
where everything will be okay.
Our leaders lead and we obey
daylight, we are far from home
our fears beset our sleep, we're
apt to toss our cookies for an ace
this petty place rapacious sheaf
another boy cries wolf our roles
woo nightmares, noone in the nick
can rescue gracious dames while
slither tongues and liquid clocks
wind spacious orbits at a slant
we can't quite see but spacious
to sleep perchance to stir another
fate that doesn't smell like skunk
another punk voracious and in
vain so vain windvane spin
the bottle punch the throttle we
barely toddle. Close our eyes.
Tuesday, September 30, 2008
Paul Klee "Mask of Fear"

well, it doesn't come in on little cat feet does it?
---
Sheffer Crossword Puzzle Poem Draft 9/30/08, First Go
When even peacocks dress in drab
come in from damp
office days in a daze no craze for debs
to don what they do not have. Aloe,
as they say on phones in India. Ill
winds blow or was that trickle down?
Nero never learned to fiddle, Rome
burned. Ideas too and passions, our
urge to act up or whine like nine
year olds when you don't send me
where we wanted to go in our Volvos.
Oh we're drab enough now that hope
has fallen in the dunning ditch and
which of us takes the blame? Have
we grown this tame, heads hung low
and laughing all at once as though
the curtain doesn't billow for me
and you. Too. Rub our heads for luck
till we go bald. Trim our sails
for diapers. Should have kept the van
fantan man. TV shows for true
but we are here or were and near
to seeing or we will before we set.
And yet.
Monday, September 29, 2008
"Rising Sun" Paul Klee
Friday, September 26, 2008
Portrait of an Artist by Paul Klee

A Coney Island of the Mind
Poem 15
Constantly risking absurdity
and death
whenever he performs
above the heads
of his audience
the poet like an acrobat
climbs on rime
to a high wire of his own making
and balancing on eyebeams
above a sea of faces
paces his way
to the other side of day
performing entrechats
and sleight-of-foot tricks
and other high theatrics
and all without mistaking
any thing
for what it may not be
For he's the super realist
who must perforce perceive
taut truth
before the taking of each stance or step
in his supposed advance
toward that still higher perch
where Beauty stands and waits
with gravity
to start her death-defying leap
And he
a little charleychaplin man
who may or may not catch
her fair eternal form
spreadeagled in the empty air
of existence
-Lawrence Ferlinghetti
----
Klee and Ferlinghetti together, this makes me happy!
Last night a shot in the arm to innoculate me against my dis-ease
with my own poetry. Thank you Rebecca, Beth, Martha, Pat, Kelly.
It is so easy to get lost and give up. Nothing like Anisakis worms
to perk a girl back up. I don't want to die anymore. I acknowledge
my slow fevered grinding, taunt night and star-shove my head through.
Thank you!
Thursday, September 25, 2008
Paul Klee, Battle Scene from the Comic Fantastic Opera "The Seafarer" 1923

From the Comic Operatic Fantasy The Seafarer
It beguiles--
This little Odyssey
In pink and lavender
Over a surface of gently-
Graded turquoise tiles
That represent a sea
With chequered waves and gaily
Bear up the seafarer,
Gaily, gaily,
In his pink plume and armor.
A lantern-frail
Gondola of paper
Ferries the fishpond Sindbad
Who poises his pastel spear
Toward three pinky-purple
Monsters which uprear
Off the ocean-floor
With fanged and dreadful head.
Beware, beware
The whale, the shark, the squid.
But fins and scales
Of each scrolled sea-beast
Troll no slime, no weed.
They are polished for the joust,
They gleam like easter eggshells,
Rose and amethyst.
Ahab, fulfill your boast:
Bring home each storied head.
One thrust, one thrust,
One thrust: and they are sped.
So fables go.
And so all children sing
Their bathtub battles deep,
Hazardous and long,
But oh, sage grownups know
Sea-dragon for sofa, fang
For pasteboard, and siren-song
For fever in a sleep.
Laughing, laughing
Of graybeards wakes us up.
-Sylvia Plath (1958)
Wednesday, September 24, 2008
The Mariners won last night, 9 to 6. It was a good game, runs from both teams, fielding from both teams, minor errors either side. The Mariners hit the ball, got on base, loaded the bases. Their pitchers, even J.J., threw men out, swinging and looking too. It was cold, but not cold enough for the blanket we had brought. We ate Thai Ginger curry and phad thai and drank beer with lime wedges in plastic glasses. We shelled pistachios and plunked them into Cracker Jacks, and discovered the pistachios had been spicy brined only after we had nestled them among the caramelled corn with the pencil topper that is always the Cracker Jacks prize in recent memory. There were no train horns until the 6th inning. The sixth and seventh innings were the best for Mariners' fans, with the team loading bases and scoring seven points over the two innings. Shawna, Jim and I threw arms around each other, stood, swayed and sang "Take me out to the ball game" for the seventh inning stretch. The team has lost 99 games this season, and this might have been the headline game, but instead the Angels and Mariners played baseball under a cloudy sky that threatened but did not deliver rain.
Tuesday, September 23, 2008
Insula Dulcamara (1938)

I insulate myself from my inner beast --
blur my vision, hear the Muzak, practice scat.
You sing me Cain and what he did to Abel
as if we never had a dealing with Jack Welch.
I remember Carolyn and her mother Cora
Dore and throw them in my brain in front of Tito
but what do I know, I hear the crowd aroar
there's more to cooking geese than ovens.
Do we remember what we must not do unto
the meek? You tell me I am ... breaking up.
Cats extend their knives, the birds flock, etc.
USA Today has no pie chart for this, no arc
that makes any, ...can you hear me now?
I sing I love technology, loud and yet again
while nonsense calls me like a loving Dada.
Ostriches and chickens offer eggs, in coop
or praire what they give are ova over arias
unt uber allas what do we know but Mt. Etna
every one Vesuvial, every Dick and hairy Tom.
Beauty was a wall flower, her petals open
bruised and underused, our disapproval tacit
a tisket a tasket, you say, ...I didn't catch that.
The lights are bright at MSN and AOL
and do not make them diamonds, mhyrr, ore,
yet all you say to me ..., I'll try redialing.
Labels:
NY Times Crossword Puzzle poem,
Paul Klee,
poem
Saturday, September 20, 2008
I made the mistake of looking at the site master - I love to look at the world map and see where people live who visit my site. I made the mistake (I, I, I, think Emma Thompson in Angels in America,) of looking at "details" and discovered that most people who come to the site leave within one second. I am not apparently an enormous hit with the googlers, who probably find me via the crossword puzzle link and are puzzled in a not-fun manner. Clicking "ranking" and expecting it to give me my rank among blogspot blogs (300 millionth maybe, so I could lord it over the person ranked 300 million and one,) I discovered that 49 people (highest number) came to my site looking for Paul Klee, who I did write about one day, and whose paintings I admire along with them. I think I will shamelessly use Paul Klee painting titles as my blog titles from now on. But first, off to Tacoma in my yellow Beetle with its brand new Les Schwab tires (with no siping,) so we will not slip off the road surface due to bald bald bald tires. No, we will grip the slip slidey oily rainy freeway all gleeful for art and openings and Don's first catalog, which I will buy tonight.
It's raining and just over 50 degrees farenheit but I've taken off my jeans and warm boots and put on my salwar kamez to go to my friend Don's opening at the Tacoma Art Museum tonight.
The last time I wore this outfit was to feed Indian food to my daughter and her husband this spring. My daughter wore her salwar kamez too, Jim wore his long blue kamez and Todd wore the caftan a friend brought back from Morocco. Will I look ridiculous tonight? Who cares! People wear all kinds of weird outfits to art events, and this is designed to be incredibly staid (and, being silk, a tad hot in southern India.) The event on the other hand will not be staid. It will be fun, and involve a spice tasting and some sort of dancing I have forgotten because I haven't looked at the invitation for a couple of days.
The last time I wore this outfit was to feed Indian food to my daughter and her husband this spring. My daughter wore her salwar kamez too, Jim wore his long blue kamez and Todd wore the caftan a friend brought back from Morocco. Will I look ridiculous tonight? Who cares! People wear all kinds of weird outfits to art events, and this is designed to be incredibly staid (and, being silk, a tad hot in southern India.) The event on the other hand will not be staid. It will be fun, and involve a spice tasting and some sort of dancing I have forgotten because I haven't looked at the invitation for a couple of days.
Thursday, September 18, 2008
So if you're reading this and will be at the orientation this afternoon, no surprises for you, so stop reading now if that's the case. You know who you are.
I've changed my title to Reciprocal Syllabus Development, though I just typed "Strategies" rather than development, so perhaps that's what I mean.
I'm thinking about my philosophical stance, my reason for going into the classroom. Is it to "Teach poetry" - no. Lots of kids slumber through school, and how do you learn anything this way - sleep learning with the book under the pillow in "The Shaggy Dog" notwithstanding - ! I think lots of teachers try to work around the banking model of education, the filling the vessels angle, that one way top down flow that prepares kids for assembly line work by treating them as objects on an assembly line. BUT, an artist enters the classroom with no WASL scores hanging over her head and a passion for her art. One teacher I work with says "I can't be passionate about one thing, what a middle school teacher has to be is a good manager." Enter the artist. But what do you believe about the kids you will build a writing community with (or fail to)? Will you teach them to make haiku or pantoums? What underlies this teaching? Why would they want to learn it? I believe that most if not all kids have inner lives they can give voice to if we listen, offer tools, and keep listening as they use the tools. But they won't use the tools if they don't care, not really use them if their motivation is points, is extra credit, is no recess if they don't buckle down. I approach my students as a fellow traveler, bungler, failer, attempter, questioner. I offer small gestures. If they respond to a gesture in one way, I will go that way, if not, I'll offer another small gesture. Perhaps the gestures get larger and more complex. Even if the gestures are tentative, I'm asking the kids to risk, to try to do something I haven't exactly defined because I want them to do something never done before, how can it have a definition? I believe that each person is unique in the history of the universe and that the more closely a person describes what she sees the more unlike anyone else her speech will be. This is why cliche is a problem - you sound like everyone else using a cliche, hiding your uniqueness behind the bland generality. What would you say if you said exactly what you mean? I hope I help at least some students try to find out. It is exciting to say something you didn't know you could say, find out something you think through writing it. I believe in the writing brain, in the fingers as savants. I believe with Brenda Ueland that "everyone is talented, original, and has something important to say."
Sheffer Crossword Puzzle Poem Draft, 9/18
I didn't ask for your curriculum vita, pass the pita
out like a lion but don't imagine I'm in like a lamb
don't count your fingers before you go to Tel Aviv
aswim, on a train, by bus and checkpoint car, alar
but someone always catches someone in the act
even fellows we know like so many Valentinos
in sheety splendor running sheeply cross the lea
like you and me they hunger past dense entree
we're grown for greed always certain we are needy
wading with our microwaves and Dells. Even so
we know we get our just desserts from Vixen,
Comet, Cupid all the rest for all we give and gave,
glory moments on TV on field, on clay, on mat.
Every Tom and Dick responds to bugle, RCMP
Do Right. Each has born heat from Wolf, the Aga,
done some unsung deed and toasted self with ale
oh heroes pale before our unknown Bobs and Iras
though none espy our capes our heroics solo.
You walked into this store for milk and gum,
when by the cheeses you grow larger than your past.
I've changed my title to Reciprocal Syllabus Development, though I just typed "Strategies" rather than development, so perhaps that's what I mean.
I'm thinking about my philosophical stance, my reason for going into the classroom. Is it to "Teach poetry" - no. Lots of kids slumber through school, and how do you learn anything this way - sleep learning with the book under the pillow in "The Shaggy Dog" notwithstanding - ! I think lots of teachers try to work around the banking model of education, the filling the vessels angle, that one way top down flow that prepares kids for assembly line work by treating them as objects on an assembly line. BUT, an artist enters the classroom with no WASL scores hanging over her head and a passion for her art. One teacher I work with says "I can't be passionate about one thing, what a middle school teacher has to be is a good manager." Enter the artist. But what do you believe about the kids you will build a writing community with (or fail to)? Will you teach them to make haiku or pantoums? What underlies this teaching? Why would they want to learn it? I believe that most if not all kids have inner lives they can give voice to if we listen, offer tools, and keep listening as they use the tools. But they won't use the tools if they don't care, not really use them if their motivation is points, is extra credit, is no recess if they don't buckle down. I approach my students as a fellow traveler, bungler, failer, attempter, questioner. I offer small gestures. If they respond to a gesture in one way, I will go that way, if not, I'll offer another small gesture. Perhaps the gestures get larger and more complex. Even if the gestures are tentative, I'm asking the kids to risk, to try to do something I haven't exactly defined because I want them to do something never done before, how can it have a definition? I believe that each person is unique in the history of the universe and that the more closely a person describes what she sees the more unlike anyone else her speech will be. This is why cliche is a problem - you sound like everyone else using a cliche, hiding your uniqueness behind the bland generality. What would you say if you said exactly what you mean? I hope I help at least some students try to find out. It is exciting to say something you didn't know you could say, find out something you think through writing it. I believe in the writing brain, in the fingers as savants. I believe with Brenda Ueland that "everyone is talented, original, and has something important to say."
Sheffer Crossword Puzzle Poem Draft, 9/18
I didn't ask for your curriculum vita, pass the pita
out like a lion but don't imagine I'm in like a lamb
don't count your fingers before you go to Tel Aviv
aswim, on a train, by bus and checkpoint car, alar
but someone always catches someone in the act
even fellows we know like so many Valentinos
in sheety splendor running sheeply cross the lea
like you and me they hunger past dense entree
we're grown for greed always certain we are needy
wading with our microwaves and Dells. Even so
we know we get our just desserts from Vixen,
Comet, Cupid all the rest for all we give and gave,
glory moments on TV on field, on clay, on mat.
Every Tom and Dick responds to bugle, RCMP
Do Right. Each has born heat from Wolf, the Aga,
done some unsung deed and toasted self with ale
oh heroes pale before our unknown Bobs and Iras
though none espy our capes our heroics solo.
You walked into this store for milk and gum,
when by the cheeses you grow larger than your past.
Tuesday, September 16, 2008
As I start my day, begin to foment my tiny daily resolutions if not revolutions, if not responsible restitutions and etc., I think about what the hickety hell I do in the classroom. What keeps me going back? Keeps me from repeating myself? It's who's there, who might be there, who might speak, might say or write something surprising to wake me up. Structure and surprise? What is art? What is teaching? Who teaches? Who listens? Looks inward? Looks outside? RUNS?? I've said I'll run a session I've given the title to so I have no excuse for not knowing what I mean. But, I wonder what I mean, and if I can talk about "Organic Syllabus Development." Holy crickets. Do I mean look around the room for clues to how the class runs and run another way? Do I mean listen to the students? Teacher? Myself? I was thinking it was funny, OSD so like OCD and other educational/psychological TLA's, how meaningless in all their vaunted shorthand meaning. I have a habit of sidestepping deep crevasses in favor of muddying puddles that are easier to recover from. Walk towards the roar of the world the man said the other day on the radio, Michael Meade I mean. Oh, I like that as a mantra and stance, but do I do it? I'm talking about high minded classroom philosophical stance while meanwhile going into school today to repeat a lesson I've taught a dozen times before. Do I let myself off the hook by saying but I will pay attention to what the kids say and write? Is this an easy A? I am shamelessly, have always been a good student, someone who picks up on what the situation calls for and provides it. Is that even true? Am I too hard on myself? I am tired and discouraged and not so jazzed even with this amazing weather.
This weekend, Jim and I drove onto (on to? to? on?) the Edmonds ferry to Kingston, crossed the Hood Canal Bridge and drove to Port Townsend, where we ate dinner at Silver Water Cafe and stayed at the Water Street Hotel with a bathroom down the hall. We ordered the appetizer with chantrell mushrooms, figs, goat cheese and bacon blanket on a skewer. From Port Townsend, we drove to Sequim for breakfast at Gwennie's Cafe. We didn't intend to go to Gwennie's, just to breakfast. Sun everywhere. Warm. September. Our waiter was mid-sixties, male and gay. My father says he has/I have relatives in Sequim. I don't even know what their last name would be, though maybe Peak, since my Dad's mom's maiden name was Peak. Brownie Ethel Peak. Huh. And my dad and aunt look Makah. Huh. He says he's always suspected he's part Mongolian. Huh.
I love car riding! I will miss petroleum, though I would never chant "drill, baby, drill". We drove up to Hurricane Ridge in the clear morning air. CLEAR and bright at the lodge and meeting place for a walking tour of the meadow which we took with our young volunteer ranger, Joanna. We each got a card with an animal on it. Our mission was to think about what that animal would find to eat on our walk. I had a black bear and Jim had a coyote, a very handsome upstanding one. I got a little huffy when our guide, who is from Tennessee, presumed to tell us about my homeland. I may become crotchety as an old woman. Stay tuned. My mother now sounds like an old woman on the phone. She's entitled, at 83. The book I'm reading, The Echo Maker, has a fellow of 55 in it who the author, Richard Powers, an otherwise brilliant man and writer, keeps referring to as old, as in quite preoccupied with his end times, as in withered and finished, and what I want to say is, in what universe?!?!?! I am 56, my still-functional hackles up and pointy. But back to Hurricane Ridge, where the view included no fog or lack of visibility whatsoever, a day in a hundred, two hundred, three hundred? Not even the tiniest bit filmy our view. Wow! I pointed out to a couple older than I am something Joanna, not being a native, had missed. A way to tell hemlock from fir is to check for the bent over top. That calmed me down. Really, I wasn't overtly a horrible territorial tourist, just in my big fat head. We drove to Lake Crescent, to Log Cabin Resort, where we spent a night on our honeymoon, and where my family vacationed many times when I was a child. The magic had faded. The counterman at the lodge ignored us. Perhaps he was taking drugs or drinking. Perhaps he was about to go off duty. A woman came into the space as we were leaving, and went behind the counter. I felt invisible or unwanted. Log Cabin Resort used to be privately owned but is now part of the National Park concession. It seems to have conceded and shrunk. It doesn't look in very good repair. Lake Crescent continues beautiful, mysterious and deep. The mountains loom, covered with vegetation. Log Cabin Resort's tacky gift shop had zorries with huge fake jewels carelessly pasted on and two four foot plastic tubes filled with s'more makings, including melted masses of chocolate that once were sectioned chocolatey bars, not Hershey. We took our photos in front of the cabin we slept in 32 years ago, one at a time since the iPhone doesn't have the self timer feature, and drove out of there to find Lake Crescent Lodge on the other side. Lake Crescent Lodge was in much better repair and felt far more welcoming. We sat in Adirondack chairs on the beach. Log Cabin Resort used to have Adirondack chairs on the porches of its cabins, so I spent a moment checking to see if these were stolen. We split an order of fish and chips, which were huge and good. The porches of these cabins had rockers on them. Not those big Kennedy rockers, but little, straight ones. We went on, to Kalaloch. Fog began to filter through the trees as we approached the ocean, and we were happy to see it after so much disorienting sun on the Olympic Peninsula. Kalaloch was booked. Solid. They called ahead to Lake Quinault Lodge "our sister resort" but it too was booked. We drove there anyway, with two hotel names written on notepaper in my fist. There was a cancellation at Lake Quinault Lodge, and we got a room. We sat in Adirondack chairs on the lawn that slopes down to the lake shore with a glass of wine (me) and a glass of beer (Jim). The Adirondacks are far from here, and they were far from McMinnville, Oregon, where my great grandfather made at least two Adirondacks chairs for the family to sit on. The next morning, we rented a canoe for an hour and paddled the glassy west and south perimeter of Lake Quinault.
This weekend, Jim and I drove onto (on to? to? on?) the Edmonds ferry to Kingston, crossed the Hood Canal Bridge and drove to Port Townsend, where we ate dinner at Silver Water Cafe and stayed at the Water Street Hotel with a bathroom down the hall. We ordered the appetizer with chantrell mushrooms, figs, goat cheese and bacon blanket on a skewer. From Port Townsend, we drove to Sequim for breakfast at Gwennie's Cafe. We didn't intend to go to Gwennie's, just to breakfast. Sun everywhere. Warm. September. Our waiter was mid-sixties, male and gay. My father says he has/I have relatives in Sequim. I don't even know what their last name would be, though maybe Peak, since my Dad's mom's maiden name was Peak. Brownie Ethel Peak. Huh. And my dad and aunt look Makah. Huh. He says he's always suspected he's part Mongolian. Huh.
I love car riding! I will miss petroleum, though I would never chant "drill, baby, drill". We drove up to Hurricane Ridge in the clear morning air. CLEAR and bright at the lodge and meeting place for a walking tour of the meadow which we took with our young volunteer ranger, Joanna. We each got a card with an animal on it. Our mission was to think about what that animal would find to eat on our walk. I had a black bear and Jim had a coyote, a very handsome upstanding one. I got a little huffy when our guide, who is from Tennessee, presumed to tell us about my homeland. I may become crotchety as an old woman. Stay tuned. My mother now sounds like an old woman on the phone. She's entitled, at 83. The book I'm reading, The Echo Maker, has a fellow of 55 in it who the author, Richard Powers, an otherwise brilliant man and writer, keeps referring to as old, as in quite preoccupied with his end times, as in withered and finished, and what I want to say is, in what universe?!?!?! I am 56, my still-functional hackles up and pointy. But back to Hurricane Ridge, where the view included no fog or lack of visibility whatsoever, a day in a hundred, two hundred, three hundred? Not even the tiniest bit filmy our view. Wow! I pointed out to a couple older than I am something Joanna, not being a native, had missed. A way to tell hemlock from fir is to check for the bent over top. That calmed me down. Really, I wasn't overtly a horrible territorial tourist, just in my big fat head. We drove to Lake Crescent, to Log Cabin Resort, where we spent a night on our honeymoon, and where my family vacationed many times when I was a child. The magic had faded. The counterman at the lodge ignored us. Perhaps he was taking drugs or drinking. Perhaps he was about to go off duty. A woman came into the space as we were leaving, and went behind the counter. I felt invisible or unwanted. Log Cabin Resort used to be privately owned but is now part of the National Park concession. It seems to have conceded and shrunk. It doesn't look in very good repair. Lake Crescent continues beautiful, mysterious and deep. The mountains loom, covered with vegetation. Log Cabin Resort's tacky gift shop had zorries with huge fake jewels carelessly pasted on and two four foot plastic tubes filled with s'more makings, including melted masses of chocolate that once were sectioned chocolatey bars, not Hershey. We took our photos in front of the cabin we slept in 32 years ago, one at a time since the iPhone doesn't have the self timer feature, and drove out of there to find Lake Crescent Lodge on the other side. Lake Crescent Lodge was in much better repair and felt far more welcoming. We sat in Adirondack chairs on the beach. Log Cabin Resort used to have Adirondack chairs on the porches of its cabins, so I spent a moment checking to see if these were stolen. We split an order of fish and chips, which were huge and good. The porches of these cabins had rockers on them. Not those big Kennedy rockers, but little, straight ones. We went on, to Kalaloch. Fog began to filter through the trees as we approached the ocean, and we were happy to see it after so much disorienting sun on the Olympic Peninsula. Kalaloch was booked. Solid. They called ahead to Lake Quinault Lodge "our sister resort" but it too was booked. We drove there anyway, with two hotel names written on notepaper in my fist. There was a cancellation at Lake Quinault Lodge, and we got a room. We sat in Adirondack chairs on the lawn that slopes down to the lake shore with a glass of wine (me) and a glass of beer (Jim). The Adirondacks are far from here, and they were far from McMinnville, Oregon, where my great grandfather made at least two Adirondacks chairs for the family to sit on. The next morning, we rented a canoe for an hour and paddled the glassy west and south perimeter of Lake Quinault.
Friday, September 12, 2008
Word Scrimmage Word Poem Draft (oh how the mighty have fallen)
Spray Shout! across the micropile bath towels
keeper of the keys in the laundry room because
you want to be, your ankle throbbing, a sprain
that eases as the stains do, nice and evenly
as your temperment you share with your
placid father, the one you threw the forks at
trying to rile him as your mother taught you.
---
Did that need an amen? ahem, to continue:
Sheffer Crossword Puzzle 9/12 Poem Draft
Today in Sports
Go panthers! devilrays! cowbows! hawks!
swell in your padded suits until you ebb
inevitable as all that flows. You must avail
yourself of everything you can, yes sir,
for unto you will come the day when yea
you walk through the valley, no Delta
to carry you across and safe. No Clooney
with tongue in cheek could save Lenore,
your only hope for praise to save
your name for Google search. No Tao
you walk will lead you from an Usher.
Do it now for one day what you lack
trumps what it doesn't take swami
to remind you will ensue and freeze
what's left. Oh you can build a baffle,
but we all lose the raffle, aren't risen.
We're flat crackers, bulger wafers
and even wide receivers get stomped
as if I know a football thing dear ref.
So as you trade your Prius for Mini
and hang your bike in your garage
I'll take your photo like George Eastman,
stay at the Heathman, but we're timed
and primed to go not come for as we are
will alter crack and dribble like an egg
in cardboard cradle, wear like agate,
slink through dumpsters like the rats
we mostly are as sad as Norma Rae
though once again the Tour de France has Lance.
Spray Shout! across the micropile bath towels
keeper of the keys in the laundry room because
you want to be, your ankle throbbing, a sprain
that eases as the stains do, nice and evenly
as your temperment you share with your
placid father, the one you threw the forks at
trying to rile him as your mother taught you.
---
Did that need an amen? ahem, to continue:
Sheffer Crossword Puzzle 9/12 Poem Draft
Today in Sports
Go panthers! devilrays! cowbows! hawks!
swell in your padded suits until you ebb
inevitable as all that flows. You must avail
yourself of everything you can, yes sir,
for unto you will come the day when yea
you walk through the valley, no Delta
to carry you across and safe. No Clooney
with tongue in cheek could save Lenore,
your only hope for praise to save
your name for Google search. No Tao
you walk will lead you from an Usher.
Do it now for one day what you lack
trumps what it doesn't take swami
to remind you will ensue and freeze
what's left. Oh you can build a baffle,
but we all lose the raffle, aren't risen.
We're flat crackers, bulger wafers
and even wide receivers get stomped
as if I know a football thing dear ref.
So as you trade your Prius for Mini
and hang your bike in your garage
I'll take your photo like George Eastman,
stay at the Heathman, but we're timed
and primed to go not come for as we are
will alter crack and dribble like an egg
in cardboard cradle, wear like agate,
slink through dumpsters like the rats
we mostly are as sad as Norma Rae
though once again the Tour de France has Lance.
Labels:
August poem,
Sheffer crossword poem,
sports ha
Thursday, September 11, 2008
Sheffer Crossword Poem Draft 9/11
In Fall when school work adds
its meetings and traffic jams
I miss Moses hefting slabs,
Della Street, Paul and Perry,
rocking hammocks, amber ale.
In other days we'd dance hula,
chant bula bula, driver's seat
the only clear place in the car.
Once more into what's akin
to give it up to disembark.
But hark, we praise valets
in black with ties and vests
to stick an elbow in or bow.
Some launch the boat, oars
out, while on the ottomans
lie those on the road to Rio.
Once there were amps
where now the hunting owl
drops talons and besets
living things with too much
self esteem to cower. I teach
in one more hour. Would
you leave me for Oahu?
More beaches for more tar!
Squirrel in dogwood minus ego
is not like we are drawn to neon
I would go on another eon
but you're restless in your pew.
Whew.
--
ok, not a poem draft, but a linkage of words brought on by across words from today's crossword. My daughter's birthday today. YAY! Happy birthday Julia!
In Fall when school work adds
its meetings and traffic jams
I miss Moses hefting slabs,
Della Street, Paul and Perry,
rocking hammocks, amber ale.
In other days we'd dance hula,
chant bula bula, driver's seat
the only clear place in the car.
Once more into what's akin
to give it up to disembark.
But hark, we praise valets
in black with ties and vests
to stick an elbow in or bow.
Some launch the boat, oars
out, while on the ottomans
lie those on the road to Rio.
Once there were amps
where now the hunting owl
drops talons and besets
living things with too much
self esteem to cower. I teach
in one more hour. Would
you leave me for Oahu?
More beaches for more tar!
Squirrel in dogwood minus ego
is not like we are drawn to neon
I would go on another eon
but you're restless in your pew.
Whew.
--
ok, not a poem draft, but a linkage of words brought on by across words from today's crossword. My daughter's birthday today. YAY! Happy birthday Julia!
Wednesday, September 10, 2008
African Queen
a couple of scrawny cast-aways
but I said Katherine Hepburn and
Humphrey Bogart and you read their
names in lights all bright and gone.
Their teeth huge white in those soiled
faces, the one driven mad by insects
the other by leeches with those clean
underbreeches weeks gone in East
Africa fighting their private war
and winning in the end. Oh my friends,
how happy this morality tale makes
me, so comforting this end.
but I said Katherine Hepburn and
Humphrey Bogart and you read their
names in lights all bright and gone.
Their teeth huge white in those soiled
faces, the one driven mad by insects
the other by leeches with those clean
underbreeches weeks gone in East
Africa fighting their private war
and winning in the end. Oh my friends,
how happy this morality tale makes
me, so comforting this end.
Tuesday, September 09, 2008
Shefer Crossword 9/8 poem draft
Oh give me a poem where the buffalo roam
and don't stand by their meat for sale sign.
I sing of this place where the buffalo pace
though Durangos are clouding our days
Home, home in the dome
the kingdome that's blown all away...
I've lost my nerve. failure of verve. oy.
Another blue blue day with deep pigment green
warning us it won't be long till November darkens
our skylights with leaves large as eviction notices.
another false start. faint heart.
From the groaning table fall more crumbs
and the bums have chosen Sarah Palin
to suck out all the oil. They think they foil
our democratic urges I'm already singing
dirges to an early seen awakening.
alak aday our hope has passed away.
Ahoy! I see the ship Euphoria
do you spy it too? are you my mate?
or do you love to hate never abate
in greed instead of seeing need
succubus spouting ugly screeds.
Oh give me a poem where the buffalo roam
and don't stand by their meat for sale sign.
I sing of this place where the buffalo pace
though Durangos are clouding our days
Home, home in the dome
the kingdome that's blown all away...
I've lost my nerve. failure of verve. oy.
Another blue blue day with deep pigment green
warning us it won't be long till November darkens
our skylights with leaves large as eviction notices.
another false start. faint heart.
From the groaning table fall more crumbs
and the bums have chosen Sarah Palin
to suck out all the oil. They think they foil
our democratic urges I'm already singing
dirges to an early seen awakening.
alak aday our hope has passed away.
Ahoy! I see the ship Euphoria
do you spy it too? are you my mate?
or do you love to hate never abate
in greed instead of seeing need
succubus spouting ugly screeds.
Monday, September 08, 2008
It's room temperature around here, sky of blue, trees that deep almost too green September green. I received another rejection today, by email. So ephemeral, email, I can almost believe I dreamed it, like the last one, which was from Bat City Review. Oh, they say, we received so many many poems from so very many earnest diligent talented (more talented than YOU) poets working in far more interesting and involving ways, and etc.
I'm a tad discouraged about my poetry writing career. I think this is slightly funny, given that I will be going on a writing/teaching retreat for nine weeks this fall. I like to totally blow myself out of the confidence water so nobody will think I have a swelled head. You can tell where this is going so I will stop.
Sheffer Crossword Puzzle 9/5/08, a poem draft
At the antique/junktique mall I bought a short pew
with gum varnished tight to its underside, the sum
of my religious observance. Sitting there, alas alack
does not transport nor titillate my tongue. Like beef
I lack a home in Jesus here in the hallway, the urn
with my dog's remains beside me no Ouija accessory.
The antique/junktique mall moved farther out
soon after I moved farther into town. I wanted from
it what I never discovered though I uncovered
Franciscanware in bisque and taupish pink and blue
and bought it wouldn't you? and a pitcher stamped
with Shirley Temple's face. I liked that place. I liked
the junk that made me sneeze, dust furze on plates.
Logic asked for none of this accumulation, nobody
would make a million dollars from this place. The
town moved into wealth and million dollar condos,
we moved away. Crystal amber glistens on the gum
I never chewed. Was this about religion?
I'm a tad discouraged about my poetry writing career. I think this is slightly funny, given that I will be going on a writing/teaching retreat for nine weeks this fall. I like to totally blow myself out of the confidence water so nobody will think I have a swelled head. You can tell where this is going so I will stop.
Sheffer Crossword Puzzle 9/5/08, a poem draft
At the antique/junktique mall I bought a short pew
with gum varnished tight to its underside, the sum
of my religious observance. Sitting there, alas alack
does not transport nor titillate my tongue. Like beef
I lack a home in Jesus here in the hallway, the urn
with my dog's remains beside me no Ouija accessory.
The antique/junktique mall moved farther out
soon after I moved farther into town. I wanted from
it what I never discovered though I uncovered
Franciscanware in bisque and taupish pink and blue
and bought it wouldn't you? and a pitcher stamped
with Shirley Temple's face. I liked that place. I liked
the junk that made me sneeze, dust furze on plates.
Logic asked for none of this accumulation, nobody
would make a million dollars from this place. The
town moved into wealth and million dollar condos,
we moved away. Crystal amber glistens on the gum
I never chewed. Was this about religion?
Friday, September 05, 2008
I've got my Ughs on, the ones I bought for January in St. Petersburg Russia. My feet are still freezing, the sky glows gray, it doesn't seem like it's going to hit any eighty degrees today. I'm preparing to go south to Oregon to reach high school kids with poetry, change their lives with poetry, fire them up, wake them up with poetry, but my feet are cold and I have to go to the bathroom. People I do not know have been living in my house for weeks, several groups of them. What do I think about this? I feel invaded, but squelch that since there is money in it, since my husband has relaxed into thinking about what he might like to do instead of what he must to keep us afloat, working a job he's grown to hate. I just read on the heel of my lambswool boot that I'm wearing Uggs. I prefer Ughs since that's how I feel about cold feet. I have such cold feet.
Last night my friend told me about getting radioactive iodine treatment for her thyroid cancer. She always used to be cold - wore her wool coat in restaurants in summer. After the 18 hours she spent in isolation in a room where everything was covered in paper so she wouldn't irradiate it, where another woman stood six feet away and pointed a geiger counter at her, where she sat behind the yellow danger! radiation! tape, she isn't cold anymore. She wanders her living room on cool days in a tank top and shorts.
Here are my last five poetry postcards for the August Postcard Poetry Fest:
I remember whe I wanted
to read every book in the school library
I remember I couldn't carry ten books myself
I remember I wanted to eat a Woodland Park
Zoo at Farrell's Ice Cream Parlor - thirty
scoops of every ice cream flavor drizzled
with hot fudge, caramel and
marshmalow cream
I remember when I believed my desires
fired the whole world.
---
I have seen the Paris scene
at night, all those white lights,
driving where revolutionaries
and the cast of Les Mis piled
tables and barstools in the streets
burning down the unworkable
to find a path to the new
before Claudia fronted Vanity Fair
before the twenty-first century,
before we thought
it meant progress to be self aware.
---
I am leading a quiet life
in my place every day
waiting for inspiration
waiting for Godot
waiting for the mail
and all that ails us
makes us wail to be gone
I am leading myself into
temptation to forget my own
legs, my own heart, my own
miraculous ability to speak.
--
I tried to pay attention
watch the Republican Convention
listen to Sarah Palen speak.
I wanted to know who she was
and if anybody would be fooled -
believe the jive live at five.
Walk, someone told me, into
the roar of the world. The crowd
roared, lifting patriotic balloons,
the old man still a POW
roaring now in my ears
all these long long years.
--
Not a single one among us
knows what this is about -
we tell our own stories
try to plot what comes next
read the stars and name them
for our sons and daughters
point our boats into current
faces squinted with sun
try with all our force
not to break sweat and run.
---
Farewell August
Hello back to school.
Last night my friend told me about getting radioactive iodine treatment for her thyroid cancer. She always used to be cold - wore her wool coat in restaurants in summer. After the 18 hours she spent in isolation in a room where everything was covered in paper so she wouldn't irradiate it, where another woman stood six feet away and pointed a geiger counter at her, where she sat behind the yellow danger! radiation! tape, she isn't cold anymore. She wanders her living room on cool days in a tank top and shorts.
Here are my last five poetry postcards for the August Postcard Poetry Fest:
I remember whe I wanted
to read every book in the school library
I remember I couldn't carry ten books myself
I remember I wanted to eat a Woodland Park
Zoo at Farrell's Ice Cream Parlor - thirty
scoops of every ice cream flavor drizzled
with hot fudge, caramel and
marshmalow cream
I remember when I believed my desires
fired the whole world.
---
I have seen the Paris scene
at night, all those white lights,
driving where revolutionaries
and the cast of Les Mis piled
tables and barstools in the streets
burning down the unworkable
to find a path to the new
before Claudia fronted Vanity Fair
before the twenty-first century,
before we thought
it meant progress to be self aware.
---
I am leading a quiet life
in my place every day
waiting for inspiration
waiting for Godot
waiting for the mail
and all that ails us
makes us wail to be gone
I am leading myself into
temptation to forget my own
legs, my own heart, my own
miraculous ability to speak.
--
I tried to pay attention
watch the Republican Convention
listen to Sarah Palen speak.
I wanted to know who she was
and if anybody would be fooled -
believe the jive live at five.
Walk, someone told me, into
the roar of the world. The crowd
roared, lifting patriotic balloons,
the old man still a POW
roaring now in my ears
all these long long years.
--
Not a single one among us
knows what this is about -
we tell our own stories
try to plot what comes next
read the stars and name them
for our sons and daughters
point our boats into current
faces squinted with sun
try with all our force
not to break sweat and run.
---
Farewell August
Hello back to school.
Tuesday, September 02, 2008
As sun dims and shimmers, razors
miss and blood stains trouble others too.
You grimace from cold or memory, a-okay
from behind the boat, another agony
hushed in wake. We know emergency
room, vet, Benadryl, bandaids, litany
of cures, sign of the cross. Remember
when nobody's child took meds?
We down brownies, empty wine bottles,
rue the cut that will not close, seek grace
in a badminton swing, floaties on the lake.
miss and blood stains trouble others too.
You grimace from cold or memory, a-okay
from behind the boat, another agony
hushed in wake. We know emergency
room, vet, Benadryl, bandaids, litany
of cures, sign of the cross. Remember
when nobody's child took meds?
We down brownies, empty wine bottles,
rue the cut that will not close, seek grace
in a badminton swing, floaties on the lake.
Wednesday, August 27, 2008
New York Times Crossword Puzzle Draft 8/26/08
Ahead of us the chorus of meows
echoes alleys, I make the Theda
face, you cross your eyes, not sad
nor sheik. We have trampled atria
like grapes our toes digging dunes
our tongues flaming. Ah, you cry,
but I don't know what you mean.
What we knew has turned to chant
and we're not the ones chanting.
---
Back and forth from Seattle to Chelan I wake and don't know where I am, though I am forever cleaning wherever I am. How many millions of women have lived like that? Comet whiff perpetually under their nails. Hillary Clinton gave the best possible get with the program and support Barack Obama speech last night. She was more directly powerful than I've heard her for awhile - the "I work harder than anyone, can't you see it? SEE IT SEE IT" stridency gone from her voice. I hate to use that word along with shrill and the grab bag of anti woman words. I don't think Barack's victory means we as a nation are more sexist than racist, though that may be true. It feels true, as Rosie O'Donnell's character said in "Sleepless in Seattle".
There are people I don't know in my Seattle house, and Jim and I are the only ones here in Chelan. A young man emerging from the silver Prius with his relatives in my carport asked me how it felt to rent out my house. I can't come down entirely on one or the other side of that bed. We have a new sink in the powder room, one that isn't in a giant box to smoosh the powder room user into feeling the room is tiny and cramped. The little pedestal sink is perky and cute and the rolls of toilet paper and the basket of shoe shine stuff now live in the pantry. The wall behind the sink, where the box was and where the little rectangular tiles were I pasted to the wall with silicon caulk, is freshly textured but unpainted, the oak floor unfinished where the box was, though I am not entirely sure it is unfinished. Jim is certain it is unfinished, "I'll tell you that much," he said. But I scrubbed the floor and it sure seemed the same color as the finished floor. Defer, defer, that is my non-confrontational fall back position. As is reaction rather than action. What do you want? What do you want? Jim's brother took out the old box/sink and put in the new sink over the last day and a half, as we drove back from Chelan, then as I cleaned the house readying it for the renters. This is the part of renting I like: we make decisions for the house we haven't made for the house for us. We say, "renters would like ..." and we do it. This is better than saying, "the people we sell the house to would like ..." since we go back home and enjoy what the renters have or have not liked because of course that sentence really told us what we would like, and it turns out we like what we thought we would, veiling it as what others would prefer so we don't feel selfish or like we're doing something frivolous replacing a brownish ugly sink in an ugly box we've hated since we moved in nine years ago for glaring example.
Ahead of us the chorus of meows
echoes alleys, I make the Theda
face, you cross your eyes, not sad
nor sheik. We have trampled atria
like grapes our toes digging dunes
our tongues flaming. Ah, you cry,
but I don't know what you mean.
What we knew has turned to chant
and we're not the ones chanting.
---
Back and forth from Seattle to Chelan I wake and don't know where I am, though I am forever cleaning wherever I am. How many millions of women have lived like that? Comet whiff perpetually under their nails. Hillary Clinton gave the best possible get with the program and support Barack Obama speech last night. She was more directly powerful than I've heard her for awhile - the "I work harder than anyone, can't you see it? SEE IT SEE IT" stridency gone from her voice. I hate to use that word along with shrill and the grab bag of anti woman words. I don't think Barack's victory means we as a nation are more sexist than racist, though that may be true. It feels true, as Rosie O'Donnell's character said in "Sleepless in Seattle".
There are people I don't know in my Seattle house, and Jim and I are the only ones here in Chelan. A young man emerging from the silver Prius with his relatives in my carport asked me how it felt to rent out my house. I can't come down entirely on one or the other side of that bed. We have a new sink in the powder room, one that isn't in a giant box to smoosh the powder room user into feeling the room is tiny and cramped. The little pedestal sink is perky and cute and the rolls of toilet paper and the basket of shoe shine stuff now live in the pantry. The wall behind the sink, where the box was and where the little rectangular tiles were I pasted to the wall with silicon caulk, is freshly textured but unpainted, the oak floor unfinished where the box was, though I am not entirely sure it is unfinished. Jim is certain it is unfinished, "I'll tell you that much," he said. But I scrubbed the floor and it sure seemed the same color as the finished floor. Defer, defer, that is my non-confrontational fall back position. As is reaction rather than action. What do you want? What do you want? Jim's brother took out the old box/sink and put in the new sink over the last day and a half, as we drove back from Chelan, then as I cleaned the house readying it for the renters. This is the part of renting I like: we make decisions for the house we haven't made for the house for us. We say, "renters would like ..." and we do it. This is better than saying, "the people we sell the house to would like ..." since we go back home and enjoy what the renters have or have not liked because of course that sentence really told us what we would like, and it turns out we like what we thought we would, veiling it as what others would prefer so we don't feel selfish or like we're doing something frivolous replacing a brownish ugly sink in an ugly box we've hated since we moved in nine years ago for glaring example.
Friday, August 22, 2008
American lady of perpetual worry, Sara
Bernhardt on this Euro sea. I lean to the bar
come so far for windswept awe hand hold crag
precipitous enough to whip away illness echo
I cringe from your stranger-face, creepy
crepey neck, yearn to be spun enraptured
forty days to change a habit we have fourteen
Cyclades, Persephone, no more am I Penelope
for whoever you are, you're home. Eruption
disrupted saffron gatherers, Akrotiri, sea
filled caldera below snowy summit wall
to take your breath away. I throw my mind
at history my hubby my razer my dog that loves
to fetch oh fetch me white wash blue door
more and more to read to burrow, sleepy
forgetful remembering everything. Nervous
Nellie, I remember everything.
Bernhardt on this Euro sea. I lean to the bar
come so far for windswept awe hand hold crag
precipitous enough to whip away illness echo
I cringe from your stranger-face, creepy
crepey neck, yearn to be spun enraptured
forty days to change a habit we have fourteen
Cyclades, Persephone, no more am I Penelope
for whoever you are, you're home. Eruption
disrupted saffron gatherers, Akrotiri, sea
filled caldera below snowy summit wall
to take your breath away. I throw my mind
at history my hubby my razer my dog that loves
to fetch oh fetch me white wash blue door
more and more to read to burrow, sleepy
forgetful remembering everything. Nervous
Nellie, I remember everything.
Monday, August 18, 2008
Wednesday, August 13, 2008
I'll get to the point soon enough, Tim,
so get your fingers off your Apple
Davy Crockett downed in Alamo
John Lennon offed in front of Ono
your eyes glazed like I'm a rerun
you naked but no marble David
all this as cunning as quicksand
not what we wanted when we arose
and though there's sun there's ursa,
dippers falling through star forests
you can't see through your stink eye
hair glint tribute to bleaching agents
I'm mean, you say, my tongue is acid
you one unsung hung sharpshooter
oh feet oh legs oh thighs of clay
finger flash across yon abacus
and all the world at bay. Say
what you must say, the gander
and the goose, and I will stare
my stare. We've passed our prime
and tit for tat for far too little time
so get your fingers off your Apple
Davy Crockett downed in Alamo
John Lennon offed in front of Ono
your eyes glazed like I'm a rerun
you naked but no marble David
all this as cunning as quicksand
not what we wanted when we arose
and though there's sun there's ursa,
dippers falling through star forests
you can't see through your stink eye
hair glint tribute to bleaching agents
I'm mean, you say, my tongue is acid
you one unsung hung sharpshooter
oh feet oh legs oh thighs of clay
finger flash across yon abacus
and all the world at bay. Say
what you must say, the gander
and the goose, and I will stare
my stare. We've passed our prime
and tit for tat for far too little time
Tuesday, August 12, 2008
Monday, August 11, 2008
Sturdy red harvest bins line the roadway --
August and almost apple picking time --
these are filled with gnarled trunks, unbudded boughs --
behind them up their hill, lines of waist-high
grape vines fattening blood-purple clusters.
8/11/08 August Postcard Poetry Fest
I've signed up for another every-day poetry writing event. Offhand, in-the-moment, what-the-hay, let it fly, let 'er rip poems or poem-like utterances off into the mailbox to someone I've never met, one poem to one person each August day. Complicated for me by being out of town most of the month, far from mailboxes to send poem and a mailbox of my own to receive poems. I imagine a passel waits for me at the East Union Post Office in Seattle. A PASSEL!
I hope you are well and writing and manufacturing vitamin D on the skin of your bare arms, miracle that you are. We talked books my neighbors on the long long lake and I the other night. She reads throwaway tomes thick with historical reference - I don't feel guilty, she says, when I'm learning something. She pushes the books towards me and I pretend to forget them at evening's end. I like her, and I like that she and her family - husband and their grown son, have spent two weeks lying about reading books. I went home and plucked one of the beach reads someone left here off the shelf. I am a bad snob and I want to scold the author and publisher over the phone, red pencil the pages, but I also want to loll here and let my eyes breeze through to the end.
August and almost apple picking time --
these are filled with gnarled trunks, unbudded boughs --
behind them up their hill, lines of waist-high
grape vines fattening blood-purple clusters.
8/11/08 August Postcard Poetry Fest
I've signed up for another every-day poetry writing event. Offhand, in-the-moment, what-the-hay, let it fly, let 'er rip poems or poem-like utterances off into the mailbox to someone I've never met, one poem to one person each August day. Complicated for me by being out of town most of the month, far from mailboxes to send poem and a mailbox of my own to receive poems. I imagine a passel waits for me at the East Union Post Office in Seattle. A PASSEL!
I hope you are well and writing and manufacturing vitamin D on the skin of your bare arms, miracle that you are. We talked books my neighbors on the long long lake and I the other night. She reads throwaway tomes thick with historical reference - I don't feel guilty, she says, when I'm learning something. She pushes the books towards me and I pretend to forget them at evening's end. I like her, and I like that she and her family - husband and their grown son, have spent two weeks lying about reading books. I went home and plucked one of the beach reads someone left here off the shelf. I am a bad snob and I want to scold the author and publisher over the phone, red pencil the pages, but I also want to loll here and let my eyes breeze through to the end.
Thursday, August 07, 2008
Along Bluett Pass Highway we see elk not beef
though buffalo gather beside the "meat for sale"
sign where the road ribbons Swauk Prairie, air
sweet with ripening wheat. Car tows boat hull
to Lake Chelan, Entiat or Roosevelt, hefty
hitch, lurch into our lane, frisson of fear. Aria
from the back seat, another disappearing era
in the American west though summer hordes
mob overlooks and fist fruit leather at stands
as though they never saw it at Safeway. Oven
outside our air conditioned bubble, we're bent
on home and not farm houses gone wineries,
apple stumps along their margins, imported
French oak barrels beside their drives. As gas
dwindles, we strategize, agonize over refills,
huddle close upon our fate like lounging buffalo.
though buffalo gather beside the "meat for sale"
sign where the road ribbons Swauk Prairie, air
sweet with ripening wheat. Car tows boat hull
to Lake Chelan, Entiat or Roosevelt, hefty
hitch, lurch into our lane, frisson of fear. Aria
from the back seat, another disappearing era
in the American west though summer hordes
mob overlooks and fist fruit leather at stands
as though they never saw it at Safeway. Oven
outside our air conditioned bubble, we're bent
on home and not farm houses gone wineries,
apple stumps along their margins, imported
French oak barrels beside their drives. As gas
dwindles, we strategize, agonize over refills,
huddle close upon our fate like lounging buffalo.
Tuesday, July 29, 2008
Sheffer Crossword Puzzle Poem Draft
How far we've come when we can char
our ribs on Wolf stoves' stainless with ado
outdoors with cedar wood from Taos.
But here it is again, our rain, my love,
the rhodies saved and we will nip
no kiwi vine today. Forward up an urge
we'll climb a dryer day. Silicon in tubes
we rubes aplay while out the window ivy
climbs clefted bark the cedar sighs
I dream through catalogs as if to buy
a Morris chair, pillowed bed, Sundance
dainty on a thong, oh me I play my part,
hooked wool rugs and Grecian urns
sugar plums to dance and fill the pie charts
it's damp I'm dumb I've put away the aloe
don rubber gloves, downstairs I scrub off
mold, afix new tiles, at ten I'll break for tea.
How far we've come when we can char
our ribs on Wolf stoves' stainless with ado
outdoors with cedar wood from Taos.
But here it is again, our rain, my love,
the rhodies saved and we will nip
no kiwi vine today. Forward up an urge
we'll climb a dryer day. Silicon in tubes
we rubes aplay while out the window ivy
climbs clefted bark the cedar sighs
I dream through catalogs as if to buy
a Morris chair, pillowed bed, Sundance
dainty on a thong, oh me I play my part,
hooked wool rugs and Grecian urns
sugar plums to dance and fill the pie charts
it's damp I'm dumb I've put away the aloe
don rubber gloves, downstairs I scrub off
mold, afix new tiles, at ten I'll break for tea.
Monday, July 28, 2008
Sheffer Crossword 7/28, a Poem Draft
Scratch a mosquito bite, endure perpetual scab
like lion bears unhappy and pacing at the zoo
or mildew toughened and renewed through suds
for all you believe cannot come through by logo
what you swallow will return as Rorschach ink
vast and intertwined as aftermaths in Asia
and you redfaced your fisted pork chop
UHaul trailer stalled in Murfreesboro, gas cap
popped and gone however scoured the area
as we sit down and bow before our porridge
kingdom for a crescent wrench a dime a diva
pitch hum annunciation your wristwatch Zulus
believe in progress accomplish three times nil
flex will and flesh your solar plexus achy
pack portmanteau deplane in Lisbon, Portugal
itch for vinho verde lamprey sausage trout
follow what you yearn for earn your paunch
cry baby cry still leap dolphins after porpoise
so you slip you lift again and try another role
ancient churches crumbled to the apse
your lapses unrepented unexumed you fumed
so what, so why not curry what you need?
Scratch a mosquito bite, endure perpetual scab
like lion bears unhappy and pacing at the zoo
or mildew toughened and renewed through suds
for all you believe cannot come through by logo
what you swallow will return as Rorschach ink
vast and intertwined as aftermaths in Asia
and you redfaced your fisted pork chop
UHaul trailer stalled in Murfreesboro, gas cap
popped and gone however scoured the area
as we sit down and bow before our porridge
kingdom for a crescent wrench a dime a diva
pitch hum annunciation your wristwatch Zulus
believe in progress accomplish three times nil
flex will and flesh your solar plexus achy
pack portmanteau deplane in Lisbon, Portugal
itch for vinho verde lamprey sausage trout
follow what you yearn for earn your paunch
cry baby cry still leap dolphins after porpoise
so you slip you lift again and try another role
ancient churches crumbled to the apse
your lapses unrepented unexumed you fumed
so what, so why not curry what you need?
Labels:
Laura poetry reading,
poem,
Sheffer crossword poem
Monday, July 21, 2008
Monday, July 14, 2008
To lay tile against your wall, smear adhesive
as though you never learned to color between
lines - who cares it cakes your arms and
countertops. You're a worker not fricking fop.
Keep motions loose and gymnastic, you're
not a spastic though you feel that, lunged
at the odd angle necessary to lay corners and
straighten gaps. Get the hang of this cuz soon
it's time to buy the float and learn to grout.
as though you never learned to color between
lines - who cares it cakes your arms and
countertops. You're a worker not fricking fop.
Keep motions loose and gymnastic, you're
not a spastic though you feel that, lunged
at the odd angle necessary to lay corners and
straighten gaps. Get the hang of this cuz soon
it's time to buy the float and learn to grout.
Friday, July 11, 2008
SEATTLE PUBLIC TOILETS GOING ON EBAY!
Today's SeattleScape blog provides the details. Minimum bid $89,000. As if you don't already have enough problems with prostitution and drug use over to the Honey Buckets. I think you can use the stainless appliance cleaner on the exterior. (Restoration Hardware has it.)
Meanwhile, at Totem Lake, flickers flagrantly rat a tat
while here I hear a Boeing jet, my Boeing blood, my
father there forty years, blonde mantel clock memento,
Mrs. Boeing's house on the way to Tolt Hill, snapping on
the tonneau cover to his red Triumph TR 3 outside Plant
Two, last one to leave Seattle please turn out the lights,
Christmas Party at the Coliseum, materiel. Rare, he
told them in Texas, threaten that steak with a match.
Two foot baby alligator gift cover story, Boeing News.
My father's proud grin, half my age, so very long ago.
while here I hear a Boeing jet, my Boeing blood, my
father there forty years, blonde mantel clock memento,
Mrs. Boeing's house on the way to Tolt Hill, snapping on
the tonneau cover to his red Triumph TR 3 outside Plant
Two, last one to leave Seattle please turn out the lights,
Christmas Party at the Coliseum, materiel. Rare, he
told them in Texas, threaten that steak with a match.
Two foot baby alligator gift cover story, Boeing News.
My father's proud grin, half my age, so very long ago.
Monday, July 07, 2008
Her life fit into one suitcase cinched with a strap
every word, though from her parka pocket one verb
looked about to fall. Let's call her Paula. Her limp
was legendary, and the boys knew she had no idea
about her power, the devastating down of her ear,
hair about to tumble, jumbled amber locks and pins,
her sweet breath warm and gentle as camomile tea.
Now we're post millenial we can view much on screens
but she has gone, tra la, one more digested morsel.
You needn't live in Citges to wake up and taste paella.
Ah Mahalia, girl with gumption, gospel queen, like
you she travelled and believed as yes we do in magic.
every word, though from her parka pocket one verb
looked about to fall. Let's call her Paula. Her limp
was legendary, and the boys knew she had no idea
about her power, the devastating down of her ear,
hair about to tumble, jumbled amber locks and pins,
her sweet breath warm and gentle as camomile tea.
Now we're post millenial we can view much on screens
but she has gone, tra la, one more digested morsel.
You needn't live in Citges to wake up and taste paella.
Ah Mahalia, girl with gumption, gospel queen, like
you she travelled and believed as yes we do in magic.
Friday, July 04, 2008
If only we had taken the "can do" drive of NASA
and applied it to our planet. What if we had felt
desire for cello suites or educating parakeets?
What if we had yearned to return pepper scent
to carnations and would not let the no nose rose
be sold? If we weren't so adaptable, inured to all
they say we ought but do not love, who could we
have become? Give glory to the green thumb,
praise cooking scents from private residences,
bring bards to roads and farmers to the dells.
Dare to prattle about Yeats and memorize him.
Dawdle, pause, perambulate. Never multi-task.
Easier not to do than unknot what's been done.
and applied it to our planet. What if we had felt
desire for cello suites or educating parakeets?
What if we had yearned to return pepper scent
to carnations and would not let the no nose rose
be sold? If we weren't so adaptable, inured to all
they say we ought but do not love, who could we
have become? Give glory to the green thumb,
praise cooking scents from private residences,
bring bards to roads and farmers to the dells.
Dare to prattle about Yeats and memorize him.
Dawdle, pause, perambulate. Never multi-task.
Easier not to do than unknot what's been done.
Thursday, July 03, 2008
July 3 Crossword Puzzle Poem Draft
White caps churn down lake. They don't tire
like I do fiddling with nothing at my desk
How would it feel to flash so momentarily
in the fading sun - remember Star Trek,
the episode where the crew pities the girl
whose species lives only ten years, like my
dog, who lived for twelve, my brother with
a life expectancy of eighteen who hurray
lived to twenty one. I cannot follow a single
white cap, each lifts and disappears. As
we do, my love, as we do.
White caps churn down lake. They don't tire
like I do fiddling with nothing at my desk
How would it feel to flash so momentarily
in the fading sun - remember Star Trek,
the episode where the crew pities the girl
whose species lives only ten years, like my
dog, who lived for twelve, my brother with
a life expectancy of eighteen who hurray
lived to twenty one. I cannot follow a single
white cap, each lifts and disappears. As
we do, my love, as we do.
Tuesday, July 01, 2008
7/1/08 New York Times Crossword Puzzle Poem Draft
(It's Tuesday, I can do the Tuesday puzzle)
The harrow is fancier than the plow,
using spikes or spring teeth to turn
soil. Simple implements don't cease
their toil as we tilt crystal goblets to
paint rainbows across the decking.
Blisters are the province of the doer.
As greens twine forks, are we callous
or indifferent? Do we enjoy the dado
trim, arty swag lights, lavender hand
cream in the restroom? Unease
undoes satisfaction in our bellies.
(It's Tuesday, I can do the Tuesday puzzle)
The harrow is fancier than the plow,
using spikes or spring teeth to turn
soil. Simple implements don't cease
their toil as we tilt crystal goblets to
paint rainbows across the decking.
Blisters are the province of the doer.
As greens twine forks, are we callous
or indifferent? Do we enjoy the dado
trim, arty swag lights, lavender hand
cream in the restroom? Unease
undoes satisfaction in our bellies.
Monday, June 30, 2008
Sheffer Crossword Puzzle Poem Draft 6/30/08
Cogito ergo sum was not the first idea
that I thought I had because someone
else wrote it in a book. A polished peg
pounded into another hole in my real
piecemeal *honk* deal. Let me mewl
and you'll lose another hour. From ova
we get aardvarks and us. The alga
doesn't need to love another to divide.
Cleverly, the egg ejects a single peep
as you breakfast with your paramour.
From rock, shock and water we sprang
ta da, I digress, have you been burned?
Today we'll lose another hope to fog.
Good god, you think I'm paranoid --
How can you grip a girder in a daze?
We all fall down, our secrets outed --
weep and pull the china down for tea.
I read the book of life or did I skim?
Don't grind millet for your parakeet.
So many things to do that I do not
want to do not want to do. Id itself
parrots me for we are parallel
as endless lines or ground to meal.
If I had a hammer I'd challenge Thor
in a greasy downtown garage. Are
there any more non sequitors to
set upon this tray? While she sups
he sops up wine stains with a pad,
She says, think before you speak.
Cogito ergo sum was not the first idea
that I thought I had because someone
else wrote it in a book. A polished peg
pounded into another hole in my real
piecemeal *honk* deal. Let me mewl
and you'll lose another hour. From ova
we get aardvarks and us. The alga
doesn't need to love another to divide.
Cleverly, the egg ejects a single peep
as you breakfast with your paramour.
From rock, shock and water we sprang
ta da, I digress, have you been burned?
Today we'll lose another hope to fog.
Good god, you think I'm paranoid --
How can you grip a girder in a daze?
We all fall down, our secrets outed --
weep and pull the china down for tea.
I read the book of life or did I skim?
Don't grind millet for your parakeet.
So many things to do that I do not
want to do not want to do. Id itself
parrots me for we are parallel
as endless lines or ground to meal.
If I had a hammer I'd challenge Thor
in a greasy downtown garage. Are
there any more non sequitors to
set upon this tray? While she sups
he sops up wine stains with a pad,
She says, think before you speak.
Friday, June 27, 2008
I'm organizing a bookshelf: "The Homeowner and Mold" -
Botany? Kitchen remodeling? The simplest task perplexes
me. "Cinderella, Cinderella," my mother used to say. Noah
only had two of everything. Plants were never mentioned.
!
Having sprained a tendon, he says, "Make me a cocktail!"
In the poem, I know how to do this, Mrs. Boston, into
muddling mint leaves and decanting spirits into a crystal
carafe. I bath olives in vermouth, pimentoes in the seed-
less caves, withoug smudging my magenta acrylic nails.
!!
All About Eve vs. Three Faces of Eve
!!!
When I was a child I couldn't sit like a tailor,
knelt on my sleeping feet in Camp Fire Girls,
twirled my hair into knots, ripped off my nails
and slid the parings between my teeth. Years
later, one poked out through my upper gums.
!!!!
Botany? Kitchen remodeling? The simplest task perplexes
me. "Cinderella, Cinderella," my mother used to say. Noah
only had two of everything. Plants were never mentioned.
!
Having sprained a tendon, he says, "Make me a cocktail!"
In the poem, I know how to do this, Mrs. Boston, into
muddling mint leaves and decanting spirits into a crystal
carafe. I bath olives in vermouth, pimentoes in the seed-
less caves, withoug smudging my magenta acrylic nails.
!!
All About Eve vs. Three Faces of Eve
!!!
When I was a child I couldn't sit like a tailor,
knelt on my sleeping feet in Camp Fire Girls,
twirled my hair into knots, ripped off my nails
and slid the parings between my teeth. Years
later, one poked out through my upper gums.
!!!!
Thursday, June 26, 2008
Sheffer Warmup 6/26
The editors tell you, send us your best
work, roundhouse punchy riffs. Bags
line their hallways, nearly audible baa
as gofers pass, out the door for aloe,
anything not to slit another envelope
sifted with dry powder, s'more ague,
another ardent poem who cannot act.
Well-heeled wannabes try Barcelona,
Roma, Prague. You watch bumblebees
in three hues suck lavender nectar.
Impetuous flitters, they ignore your
patient attention. One ducks in and out
from mauve foxglove, Bartholomew
Cubbins in miniature. Are you two?
You've booked passage on a freighter
but it's too late to discover yourself
exotic in a far port. Another girl with
glamorous ambitions who will not do
the work. The Kerala produce counter
stocks basil, carrots, bunched cilantro.
Its fragrance clings to fingers, lines
your pores. You want to be remade
but you don't know into what. Poems
bleat oddly from beside your chair.
The editors tell you, send us your best
work, roundhouse punchy riffs. Bags
line their hallways, nearly audible baa
as gofers pass, out the door for aloe,
anything not to slit another envelope
sifted with dry powder, s'more ague,
another ardent poem who cannot act.
Well-heeled wannabes try Barcelona,
Roma, Prague. You watch bumblebees
in three hues suck lavender nectar.
Impetuous flitters, they ignore your
patient attention. One ducks in and out
from mauve foxglove, Bartholomew
Cubbins in miniature. Are you two?
You've booked passage on a freighter
but it's too late to discover yourself
exotic in a far port. Another girl with
glamorous ambitions who will not do
the work. The Kerala produce counter
stocks basil, carrots, bunched cilantro.
Its fragrance clings to fingers, lines
your pores. You want to be remade
but you don't know into what. Poems
bleat oddly from beside your chair.
Wednesday, June 25, 2008
Sheffer Crossword 6 25 Practicing Scales, Staying Nimble
Sunset, dock, a woman about to clip
her nails reflects that money can buy
such pedicures in peach tinged spas
this peach from the dusk bloomed lake
pinking these tanned hands she used
long years ago for scales but now to
trim grape and Virginia Creeper vines,
this act she will soon consummate as
light holds her, softens her gently.
Next door they mouth Nefarious white,
think they've imagined her, forks
glancing off tough hazelnuts in salads,
second glass, slightly looped, early
season, no yellow jackets to shoo,
fruitstand watermelon, corn on the cob,
awash in spinach, beans and snap
peas, staked tomatoes only yellow
blooms. Juniper shadow looms and
blots her shadow. If she were stoic,
she'd think, so what, this fading, dry
witted, dry eyed, no whimpering plod.
She recalls when every new idea
discovered her, an exotic orchid
hard and shiny as painted toenails.
Sunset, dock, a woman about to clip
her nails reflects that money can buy
such pedicures in peach tinged spas
this peach from the dusk bloomed lake
pinking these tanned hands she used
long years ago for scales but now to
trim grape and Virginia Creeper vines,
this act she will soon consummate as
light holds her, softens her gently.
Next door they mouth Nefarious white,
think they've imagined her, forks
glancing off tough hazelnuts in salads,
second glass, slightly looped, early
season, no yellow jackets to shoo,
fruitstand watermelon, corn on the cob,
awash in spinach, beans and snap
peas, staked tomatoes only yellow
blooms. Juniper shadow looms and
blots her shadow. If she were stoic,
she'd think, so what, this fading, dry
witted, dry eyed, no whimpering plod.
She recalls when every new idea
discovered her, an exotic orchid
hard and shiny as painted toenails.
Tuesday, June 24, 2008
Sheffer Puzzle 6/24k (!)
You make my heart sing mild
cud chewers that we are. She
watches baseball players chew
from mounds and outer fields
as from the Sound salty odor
seeps into stale Cracker Jacks
caw shadows across Jumbotron
another catch botched in haze
yet another coach scrapped.
Take me out to the ball game
seventh inning what else to do
Screen blinks NOISE!, we yell
approaching train horn blasts
jets rumble from above clouds
gods at nine pins, Moose dance
on dugout roof in the land of
war canoes, evening sun aura
slanting across the stands, bus
brakes on Fourth Avenue South,
ahoy, we cry, ye Mariners.
You make my heart sing mild
cud chewers that we are. She
watches baseball players chew
from mounds and outer fields
as from the Sound salty odor
seeps into stale Cracker Jacks
caw shadows across Jumbotron
another catch botched in haze
yet another coach scrapped.
Take me out to the ball game
seventh inning what else to do
Screen blinks NOISE!, we yell
approaching train horn blasts
jets rumble from above clouds
gods at nine pins, Moose dance
on dugout roof in the land of
war canoes, evening sun aura
slanting across the stands, bus
brakes on Fourth Avenue South,
ahoy, we cry, ye Mariners.
Monday, June 23, 2008
Sheffer 6/23 Puzzle
Life loops forward from the womb
odd isn't it to have emerged awed
out of that dark Eden to rise and ebb
as we all do, alas, all that we erect
falls away no matter how jealously
we guard, hate, cordon off, bargain.
It is summer with the heat turned
high sky gray trees darkening their
green leaves and shaking them at
every passing car. How far we have
driven past our welcome. We say
we'll never again and then repeat.
Coyotes stare from Arboretum
azalea shade, crows litter alleyways
beside dumpsters, asphalt fills
potholes and we are filled with mad
anxiety and sad seedless watermelon.
What have we done to chickens' DNA?
We wallow at the shrink's as peaks
lose glacial weight. What we knew
about the water cycle cannot comfort
now it's wrong. So much here to rile
kiwi whips tendrils toward dogwood
all vines lasso, pull, muzzle into and
through relentless and blind as moles.
Life loops forward from the womb
odd isn't it to have emerged awed
out of that dark Eden to rise and ebb
as we all do, alas, all that we erect
falls away no matter how jealously
we guard, hate, cordon off, bargain.
It is summer with the heat turned
high sky gray trees darkening their
green leaves and shaking them at
every passing car. How far we have
driven past our welcome. We say
we'll never again and then repeat.
Coyotes stare from Arboretum
azalea shade, crows litter alleyways
beside dumpsters, asphalt fills
potholes and we are filled with mad
anxiety and sad seedless watermelon.
What have we done to chickens' DNA?
We wallow at the shrink's as peaks
lose glacial weight. What we knew
about the water cycle cannot comfort
now it's wrong. So much here to rile
kiwi whips tendrils toward dogwood
all vines lasso, pull, muzzle into and
through relentless and blind as moles.
Friday, June 20, 2008
Another Tip for Writing Avoidance
Ampleforth, England, Haryana, India, Attiki, Greece,
Coram, New York, Horsham, Pennsylvania: Hello.
(people from there the last few to view this site)
Sheffer Today
Six degrees of chemically compromised bacon
drip and droop above electric element hot as ire
another morning another homage to the ohm.
Thank you ancients for arithmetic, plus signs to obeli
to Euclid for geometry's enclosing certainties
prime numbers, times tables, elegant listings
I memorized knew holy bright colored locales
in my brain neurons branched and twined for
ever amen. However shaken I could never lose
this cultivated repetition, entry to communion
with ancient Greeks. Junior High Tillitype Editor,
I printed the Pythagorean Theorum on the front
page, ninth grade, no wonder nobody kissed me.
Cream cheese whitened knife swabs bagel
a twist turns bacon mobius strip, potato almost
browned thanks be to physics and the dam.
I will not take on horrors here, the what ifs now in
view that rues all math has made we are paying for
our physics our can do since it is there. I'm
aware. To shelter frogs, I'll place the broken pot
beneath gingko where soil stays damp, pledge
allegiance to gold splashed honey bees but
I will not shun our human push into aerials
our running past the edge. We all fall down,
get up get up we cheer the cyclist. This morning.
Ampleforth, England, Haryana, India, Attiki, Greece,
Coram, New York, Horsham, Pennsylvania: Hello.
(people from there the last few to view this site)
Sheffer Today
Six degrees of chemically compromised bacon
drip and droop above electric element hot as ire
another morning another homage to the ohm.
Thank you ancients for arithmetic, plus signs to obeli
to Euclid for geometry's enclosing certainties
prime numbers, times tables, elegant listings
I memorized knew holy bright colored locales
in my brain neurons branched and twined for
ever amen. However shaken I could never lose
this cultivated repetition, entry to communion
with ancient Greeks. Junior High Tillitype Editor,
I printed the Pythagorean Theorum on the front
page, ninth grade, no wonder nobody kissed me.
Cream cheese whitened knife swabs bagel
a twist turns bacon mobius strip, potato almost
browned thanks be to physics and the dam.
I will not take on horrors here, the what ifs now in
view that rues all math has made we are paying for
our physics our can do since it is there. I'm
aware. To shelter frogs, I'll place the broken pot
beneath gingko where soil stays damp, pledge
allegiance to gold splashed honey bees but
I will not shun our human push into aerials
our running past the edge. We all fall down,
get up get up we cheer the cyclist. This morning.
Thursday, June 19, 2008
Shefer 6 19
when golden waves of grain were hays
my beer glass wasn't made from corn
rats spanned Lake Washington, that
eerie underwater forest, scary seminary
east side echoing secrets madrona trees
for home sunset drive in bavarian gardens
open opposites and Ballard seemed Oslo
Issaquah backwoods Monroe felons
Smith Brothers and Carnation milk
Tillicum Junior High Lake Sammamish
Snoqualmie Falls, kinnikinnik, Tacoma,
Enumclaw, Puyallup, Yakima,
Swinomish, Skykomish, Wenatchee
Klickitat, Entiat, Wapato, Chelan
Walla Walla, Walawah, Hoquiam,
Cowlitz, Skokomish, Snoqualmoo,
Tulalip, Skagit, Muckleshoot, Makah,
S'Klallam, Nooksack, Nisqually,
Sook, Samish, Duwamish, Hoh,
Kalispel, Squaxin, Spokane, Lummi,
my grandmother Brownie Ethel
might have been Indian, taught fourth
grade. She died my mother said
"of a broken heart" my father engaged
to be married. Relatives maybe
S'Klallam lived in Sequim.
when golden waves of grain were hays
my beer glass wasn't made from corn
rats spanned Lake Washington, that
eerie underwater forest, scary seminary
east side echoing secrets madrona trees
for home sunset drive in bavarian gardens
open opposites and Ballard seemed Oslo
Issaquah backwoods Monroe felons
Smith Brothers and Carnation milk
Tillicum Junior High Lake Sammamish
Snoqualmie Falls, kinnikinnik, Tacoma,
Enumclaw, Puyallup, Yakima,
Swinomish, Skykomish, Wenatchee
Klickitat, Entiat, Wapato, Chelan
Walla Walla, Walawah, Hoquiam,
Cowlitz, Skokomish, Snoqualmoo,
Tulalip, Skagit, Muckleshoot, Makah,
S'Klallam, Nooksack, Nisqually,
Sook, Samish, Duwamish, Hoh,
Kalispel, Squaxin, Spokane, Lummi,
my grandmother Brownie Ethel
might have been Indian, taught fourth
grade. She died my mother said
"of a broken heart" my father engaged
to be married. Relatives maybe
S'Klallam lived in Sequim.
Wednesday, June 18, 2008
Sheffer 6/18
My friend gyrated on the floor in front of the amp
I danced and guarded her as well as I was able
cables dangling from the ceiling not even a mat --
yoga and sushi the future, exotic food meant poi
proudly countercultural, dorm rooms never neat,
lived on wheat sprouts, undercooked lima beans,
bass pounding through my pelvis as if to gain
anything but orgasm made nonsense in that arena
(college cafeteria) and grass made me Glenda
everyone Glenda the Good, our arms gone wands
we blessed everyone everything, high as an alp
our power pulsing through the speakers, Tiny
Dancer, my friend upright and thrashing, the boy
with waistlength hair pulling me closer, it all
mattered and none of it mattered but matter
moving colliding like remnants of the Big Bang
in deep space grandiose colossal even my ear
Venus size widening ranging as if just to hear
were its tiniest ability as it licked up, sucked in
decibels as if sound was all you can eat spaghetti.
My friend gyrated on the floor in front of the amp
I danced and guarded her as well as I was able
cables dangling from the ceiling not even a mat --
yoga and sushi the future, exotic food meant poi
proudly countercultural, dorm rooms never neat,
lived on wheat sprouts, undercooked lima beans,
bass pounding through my pelvis as if to gain
anything but orgasm made nonsense in that arena
(college cafeteria) and grass made me Glenda
everyone Glenda the Good, our arms gone wands
we blessed everyone everything, high as an alp
our power pulsing through the speakers, Tiny
Dancer, my friend upright and thrashing, the boy
with waistlength hair pulling me closer, it all
mattered and none of it mattered but matter
moving colliding like remnants of the Big Bang
in deep space grandiose colossal even my ear
Venus size widening ranging as if just to hear
were its tiniest ability as it licked up, sucked in
decibels as if sound was all you can eat spaghetti.
Labels:
daily practice,
poem,
Sheffer crossword poem
Tuesday, June 17, 2008
Lifting the Veil
Through time lapse we see swallows leave the apse
post apocalypse in the unchurched northwest, Oc-
tober after aspen have quivered their golden hope,
oil vanished from schist and shale, that final nail
silent windup radio between pews, Boggle, mah-
jong, cards wilted from a dozen thumbnails obey
cobbled rules, water sip per point, no point to rite,
bathing, blathering darkness, cursing and candles,
crucifix across the doors, melted pennies in a jar,
celery wilted with the crisper, the last deer hunted
not what we wanted having sharpened the spear
a million ghostly echoes, no more gheckoes, bane
we are and not debatable now we're no longer high
preeners nothing left to glean all time to cogitate
we waffle, wait and trace the thousand algebras
of whose intentions we will never know but shout
to nobody between rounds, remember being kids,
burn hymnals, missives, bookshelves, hesitate
over needlepointed kneelers, DVD with Bob & Bing
empty birdnest in the organ loft mud smooth tiny
tracery, evidence accumulated always past tense,
debates dwindling down the dawn, wind onward
howling, miracle granola bar reduced to a single oat.
Cripes reveal these aren't those days and let us heal
deus ex machina, three Christmas ghosts -- levitate
don't leave us here! Frankincense, myrrh and magi
nave, transept, narthex, I do believe in fairies ere
we breathe our last for real. Deliver us from evil
Blue Angels screaming annunciation shaking stained
glass shattering laughter another bell for Adano.
post apocalypse in the unchurched northwest, Oc-
tober after aspen have quivered their golden hope,
oil vanished from schist and shale, that final nail
silent windup radio between pews, Boggle, mah-
jong, cards wilted from a dozen thumbnails obey
cobbled rules, water sip per point, no point to rite,
bathing, blathering darkness, cursing and candles,
crucifix across the doors, melted pennies in a jar,
celery wilted with the crisper, the last deer hunted
not what we wanted having sharpened the spear
a million ghostly echoes, no more gheckoes, bane
we are and not debatable now we're no longer high
preeners nothing left to glean all time to cogitate
we waffle, wait and trace the thousand algebras
of whose intentions we will never know but shout
to nobody between rounds, remember being kids,
burn hymnals, missives, bookshelves, hesitate
over needlepointed kneelers, DVD with Bob & Bing
empty birdnest in the organ loft mud smooth tiny
tracery, evidence accumulated always past tense,
debates dwindling down the dawn, wind onward
howling, miracle granola bar reduced to a single oat.
Cripes reveal these aren't those days and let us heal
deus ex machina, three Christmas ghosts -- levitate
don't leave us here! Frankincense, myrrh and magi
nave, transept, narthex, I do believe in fairies ere
we breathe our last for real. Deliver us from evil
Blue Angels screaming annunciation shaking stained
glass shattering laughter another bell for Adano.
Monday, June 16, 2008
Sheffer 6 15
She rises every morning forgetting who she miffs
the thrall of new, more to withdraw at the ATM
there will be someone handing her a towel to sop
sauce from tiles for the starving children in India
if only we would help and hike them up, headstart
them there. Leave your shoes by her door or mar
this lovely fir under shag all those years as she ate
silently for fear of yelling, before the sitting in
at school. Sleek as a race horse, silky hair, to trot
out slogans, gorp, earth mother of counterculture
drudge for a cause, MS. Magazine to Mothering
she sings alto with Martha and the Good Things
Upstairs is where they locked the crazy women
or piled them, cord wood, on the fainting couch
but now she keeps her power and uses it on you
here comes another jingle jangle of her bangle
at your door. Are you finding any of this eerie?
There's more to creep you out than UFO's.
How will they dress us next? I'm sick of uplift
what did she love before she brought us ill?
She rises every morning forgetting who she miffs
the thrall of new, more to withdraw at the ATM
there will be someone handing her a towel to sop
sauce from tiles for the starving children in India
if only we would help and hike them up, headstart
them there. Leave your shoes by her door or mar
this lovely fir under shag all those years as she ate
silently for fear of yelling, before the sitting in
at school. Sleek as a race horse, silky hair, to trot
out slogans, gorp, earth mother of counterculture
drudge for a cause, MS. Magazine to Mothering
she sings alto with Martha and the Good Things
Upstairs is where they locked the crazy women
or piled them, cord wood, on the fainting couch
but now she keeps her power and uses it on you
here comes another jingle jangle of her bangle
at your door. Are you finding any of this eerie?
There's more to creep you out than UFO's.
How will they dress us next? I'm sick of uplift
what did she love before she brought us ill?
Friday, June 13, 2008
This semipublic writing is similar to the 19th century automatic writers who, entranced, received their writing flow from the dead, the ether, or the mouths of gods. My sister left a phone message - writing is difficult for her, she says. She wonders if I write with flow, effortlessly, fluidly. I leave a phone message where I say that writing comes out in a flood but that does not make it good writing, only a place to start, that writing well is difficult for me too, that the fact she finds it hard means she cares about it. I receive a second phone message in which she says her boss writes "like you do" fluidly and that it is crap. I think I've been slapped. In our family we were raised to believe that people who do things do those things because those things are easy for those people to do. Once we found the thing easy for us to do we would happily float off to do it. In the meanwhile, it was not fair that all these other people were effortlessly out there doing whatever we might like to do but, alas, found difficult. I have not called my sister back.
I like playing at the morning poem, the glib fluidity of its unjudged coming into being. I don't think it is a poem, particularly. It is fun to free associate and see where my mind wanders. This rapid process pleases me. This is an engine rev, an "Italian tune up" as my husband used to say, gunning the car engine. It isn't so much functional as fun. What the hay.
Effortless Sheffer Crossword Puzzle Poem Draft
Lucille Ball and Harpo Marx in swallowtail coats could ape
each other's any move as I watched them before I was Gam-
ache, when TV and Laura Ingalls Wilder were what I cried
about when I admitted that I cried. Socks slipped, wore burs
I didn't know where I got them, Lucille and Harpo so fluid
in black and white. I would have given up my colors to be
one with or of them, the couch safe with nobody home.
Africa was the dark continent, I cut its elephant ear
over and over, painted it orange, painted it green,
edges curled under by poster paint, plaster of paris
Washington state chalk white from rubber mold
flipbook cubes pencilled one by one to a huge cube
repetition the comforting rule. I laved my skills one
after the other did not have to think nor listen nor be.
Where would you hide if we were under seige?
We crouched under our desks in the room corner
that sixties wall of class windows threatening
that hard rain gonna fall, that hurricane, what
must have been the Bay of Pigs. South Florida.
I did not love Lucy so perpetually tripping into
trouble I tiptoed away from. She was brazenly
wrong and mouthy and unfazed by what lay me
flat in doses one one hundredth what she took
and stood and blundered through again and
again, themesong swimming under my door.
I like playing at the morning poem, the glib fluidity of its unjudged coming into being. I don't think it is a poem, particularly. It is fun to free associate and see where my mind wanders. This rapid process pleases me. This is an engine rev, an "Italian tune up" as my husband used to say, gunning the car engine. It isn't so much functional as fun. What the hay.
Effortless Sheffer Crossword Puzzle Poem Draft
Lucille Ball and Harpo Marx in swallowtail coats could ape
each other's any move as I watched them before I was Gam-
ache, when TV and Laura Ingalls Wilder were what I cried
about when I admitted that I cried. Socks slipped, wore burs
I didn't know where I got them, Lucille and Harpo so fluid
in black and white. I would have given up my colors to be
one with or of them, the couch safe with nobody home.
Africa was the dark continent, I cut its elephant ear
over and over, painted it orange, painted it green,
edges curled under by poster paint, plaster of paris
Washington state chalk white from rubber mold
flipbook cubes pencilled one by one to a huge cube
repetition the comforting rule. I laved my skills one
after the other did not have to think nor listen nor be.
Where would you hide if we were under seige?
We crouched under our desks in the room corner
that sixties wall of class windows threatening
that hard rain gonna fall, that hurricane, what
must have been the Bay of Pigs. South Florida.
I did not love Lucy so perpetually tripping into
trouble I tiptoed away from. She was brazenly
wrong and mouthy and unfazed by what lay me
flat in doses one one hundredth what she took
and stood and blundered through again and
again, themesong swimming under my door.
Thursday, June 12, 2008
Spanish lavender waggle their coxcombs
benign as a neutered rooster convention
sky is gray layered with gray highlights
like a woman bent on accepting her age
Northwest dogwood bustles with yellow
green flower sepals butterfly winged
over its droopy green leaves and I would
describe my mood this morning as lying
supine as the lidless garbage can across
the alley behind green potting soil bags.
Sheffer Puzzled
The world as we know belongs to ants
they teem in soil and rotten moldings
their antennae pulsing towards their tzar
we load hatchbacks oblivious as our era
our thoughts moot they swim the moat
we scoff at their motions that seem rote
oil barrels loosed on seas begin to nag
how long till Baskin cannot buy caramel
life without the lightswitch. Ask Asimov
there's no foundation on your pc or mac
what you think doesn't matter a sob
invasive and vanishing we're managing
as children who bounce balls for jacks
how many ants does it take to lift a wig
go figure calculate spreadsheet sane
as a chasm in the Grand Canyon, gap
between continents and ice ages, your
teeth. Though we choke chain our Rex
charmed cast can't lure dead to our rod
caused disaster to all we have surveyed
have prayed and preyed down the Ohio
Red flag in the tree where I spied a Cardinal
animal spirit in the war canoe the ant
there too we haven't listened exoskeleton
glistens and pops under vibram we teem
tornado as trebuchet tosses another cow
analogy will not shore the sagging roof
profess love for all our profits. Amen.
benign as a neutered rooster convention
sky is gray layered with gray highlights
like a woman bent on accepting her age
Northwest dogwood bustles with yellow
green flower sepals butterfly winged
over its droopy green leaves and I would
describe my mood this morning as lying
supine as the lidless garbage can across
the alley behind green potting soil bags.
Sheffer Puzzled
The world as we know belongs to ants
they teem in soil and rotten moldings
their antennae pulsing towards their tzar
we load hatchbacks oblivious as our era
our thoughts moot they swim the moat
we scoff at their motions that seem rote
oil barrels loosed on seas begin to nag
how long till Baskin cannot buy caramel
life without the lightswitch. Ask Asimov
there's no foundation on your pc or mac
what you think doesn't matter a sob
invasive and vanishing we're managing
as children who bounce balls for jacks
how many ants does it take to lift a wig
go figure calculate spreadsheet sane
as a chasm in the Grand Canyon, gap
between continents and ice ages, your
teeth. Though we choke chain our Rex
charmed cast can't lure dead to our rod
caused disaster to all we have surveyed
have prayed and preyed down the Ohio
Red flag in the tree where I spied a Cardinal
animal spirit in the war canoe the ant
there too we haven't listened exoskeleton
glistens and pops under vibram we teem
tornado as trebuchet tosses another cow
analogy will not shore the sagging roof
profess love for all our profits. Amen.
Wednesday, June 11, 2008
Sheffer Crossword Poem Draft
Every family has its designated imp
responsible for every upturned vase
ours was Scott yours may be Ivan
some guy in calvins to excite Leah
we seek novelty our men carve ices
children stashed in rushes on the Nile
always another parquet floor to mop
another chosen one another stepchild
sandwich maker, slave, or swami,
Who remembered the pastrami - you?
all this fuss as though we'll stay atop
once the fire dies we crave the smoke
our afterburner's on so step on it
what are you reading here - runes?
We're loony to listen - step down
have the dignity to demur. Oh dad,
oh datum, oh princess Stephanie.
Another cache for cacophony. Phony.
I saw "In the Land of the Head Hunters" at the Moore Theatre last night - my favorite part was watching the Kwakwaka'wakw bear dancer and thunderbird dancer dancing on the war canoes as they were being paddled. It was also wonderful to have a small orchestra in the pit playing the original score.
Every family has its designated imp
responsible for every upturned vase
ours was Scott yours may be Ivan
some guy in calvins to excite Leah
we seek novelty our men carve ices
children stashed in rushes on the Nile
always another parquet floor to mop
another chosen one another stepchild
sandwich maker, slave, or swami,
Who remembered the pastrami - you?
all this fuss as though we'll stay atop
once the fire dies we crave the smoke
our afterburner's on so step on it
what are you reading here - runes?
We're loony to listen - step down
have the dignity to demur. Oh dad,
oh datum, oh princess Stephanie.
Another cache for cacophony. Phony.
I saw "In the Land of the Head Hunters" at the Moore Theatre last night - my favorite part was watching the Kwakwaka'wakw bear dancer and thunderbird dancer dancing on the war canoes as they were being paddled. It was also wonderful to have a small orchestra in the pit playing the original score.
Tuesday, June 10, 2008
Before anything was extra or super and arid
conjured a landscape fit for camels, the ides
of any month struck a vernal fear, when keg
could hold pegs in a hold held to lee from lulu
of a storm or pirates, newt cast spells and nay
was what you didn't say and live. Belltowers
tolled time and cryers told news, to err
was as always human, and nobody obese
waddled the concourse towards WalMart.
Another era, more terra bent and firma
than ours ere belles and blunt bellhops
air above strung with stars in all night areas
not our all night neon light Taco Bell
or around the block to shop for feta.
When sun was neither brella nor kist
conjured a landscape fit for camels, the ides
of any month struck a vernal fear, when keg
could hold pegs in a hold held to lee from lulu
of a storm or pirates, newt cast spells and nay
was what you didn't say and live. Belltowers
tolled time and cryers told news, to err
was as always human, and nobody obese
waddled the concourse towards WalMart.
Another era, more terra bent and firma
than ours ere belles and blunt bellhops
air above strung with stars in all night areas
not our all night neon light Taco Bell
or around the block to shop for feta.
When sun was neither brella nor kist
Monday, June 09, 2008
Layer the poems more says Hunger Mountain
I've heard it from the high up lama
I am changing my ways, breaking law
to stay the same, embrace my flaw,
overture overtones over, over rule
the flow of traffic in my vein lane
transfixed by what I thought tentacle
I'm wrong again my precious orts
unwanted. Let's off to the fish fry
and forget my smallfry talents.
Albert Brooks may be zany in Kuwait
who will undo what was undue
and who am I to think that's real?
in another reel we find him, Gene,
oh grace oh Kelly, hair tendril
in the center of that forhead, what
wouldn't I outdo for you? Out rob
outright out with poor tenants
strands in a vial prove me vile
sci fi ergo two crows on the wire
like shoppers above the aisle
whirl around this axis, lose access
to the man who admires us inn
crust secret layer betrayer lard
oh Fugart thou art not Tennyson
Fellow denizens lets hear it for oral
Janet Jackson up the escalade
another poem seasoned like stew.
I've heard it from the high up lama
I am changing my ways, breaking law
to stay the same, embrace my flaw,
overture overtones over, over rule
the flow of traffic in my vein lane
transfixed by what I thought tentacle
I'm wrong again my precious orts
unwanted. Let's off to the fish fry
and forget my smallfry talents.
Albert Brooks may be zany in Kuwait
who will undo what was undue
and who am I to think that's real?
in another reel we find him, Gene,
oh grace oh Kelly, hair tendril
in the center of that forhead, what
wouldn't I outdo for you? Out rob
outright out with poor tenants
strands in a vial prove me vile
sci fi ergo two crows on the wire
like shoppers above the aisle
whirl around this axis, lose access
to the man who admires us inn
crust secret layer betrayer lard
oh Fugart thou art not Tennyson
Fellow denizens lets hear it for oral
Janet Jackson up the escalade
another poem seasoned like stew.
Thursday, June 05, 2008
Crossword Poem Draft from NY Times, June 2, 08
And, for example, I won't eat veal.
You can get seven bullies, an octet,
hire someone from the KGB or KAOS,
I won't back down, principled as Arlo
at the induction center or Mehta
facing a tuba player with a tin ear.
To provide another instance, an ogre
at the door, I won't let him in. Ties
me in a fancy knot, but keep an eye on
me and you'll see I'm for real. Jeez,
just hand over the comics section
and lower your blank blank firearm,
my clock is ticking and it's no Casio.
What's up your rear? I've gotta ask.
Not to get in front of myself, but as a
pig's gotta be suspicious of the apple
at a luau, I'm watching earth's orbit
and it's got a bit of a hump for a sphere.
See, what I'm saying is I know arts,
martial, and lately, disappearing.
It will take more than your watercolor
set to fill in these widening blanks.
Have you heard of the expanding
universe? Do you wonder what that
means for you? Two weeks, I'd say,
off your life based on last week's tally,
though calculation never has eased
disappointment so I understand your
angry stance here. Put out? Me too,
but get an air date, dude, and leave.
You're the Lone Ranger? I'm not Tonto
to let you run the show like an Earl
out of England or whatever ragtag
title you've imagined. You're atop
what, here? I'll check what's on tap
and you've got it, the lovely Rita
there too. So what you're a mole
a lot of people plead blindness, belly
ache, think the luge is just another sled.
And, for example, I won't eat veal.
You can get seven bullies, an octet,
hire someone from the KGB or KAOS,
I won't back down, principled as Arlo
at the induction center or Mehta
facing a tuba player with a tin ear.
To provide another instance, an ogre
at the door, I won't let him in. Ties
me in a fancy knot, but keep an eye on
me and you'll see I'm for real. Jeez,
just hand over the comics section
and lower your blank blank firearm,
my clock is ticking and it's no Casio.
What's up your rear? I've gotta ask.
Not to get in front of myself, but as a
pig's gotta be suspicious of the apple
at a luau, I'm watching earth's orbit
and it's got a bit of a hump for a sphere.
See, what I'm saying is I know arts,
martial, and lately, disappearing.
It will take more than your watercolor
set to fill in these widening blanks.
Have you heard of the expanding
universe? Do you wonder what that
means for you? Two weeks, I'd say,
off your life based on last week's tally,
though calculation never has eased
disappointment so I understand your
angry stance here. Put out? Me too,
but get an air date, dude, and leave.
You're the Lone Ranger? I'm not Tonto
to let you run the show like an Earl
out of England or whatever ragtag
title you've imagined. You're atop
what, here? I'll check what's on tap
and you've got it, the lovely Rita
there too. So what you're a mole
a lot of people plead blindness, belly
ache, think the luge is just another sled.
Tuesday, June 03, 2008
Having to face my wall, my reluctance, my failure of nerve,
no excuses, nobody obstructing my path to the bathroom
or library, inner repository. Having to see how I stall and
cajole, what a discipline problem I tend to be. I don't want
to write, I'm too hot, I'm hungry. This chair's too short,
I don't like this table, people are talking downstairs, this
shag rug is too deep, too blue, too green. I'm feverish, I'm
edgy, the coffee had too much caffeine, my fingers hurt.
Browns from the Dictionary of Color Words
Miscell. Browns
hazel: lt.
hay: lt.
brunet: var; lt-drk.
toast: var; lt-drk
tobacco: var; or-blk.
gazelle: var.
nut: var.
bay: neu; wrm; med.
olive: drab; med.
nutmeg: neu; med.
Van Dyke: rich; drk.
roan: prpsh; drk.
seal: wrm; drk.
beaver: v. seal.
burnt cork: rich; drk.
bistre: peppy; drk.
bitumen: or mummy brn:
once made from tarry remains
of real mummies;
now made from asphalt.
Browns can be drab, muddy, rich, dirty, warm, ruddy, rusty, nasty, dark, sordid, purplish, nut-brn, yellowish, reddish, orange, berry-brn, mottled or light.
Thanks to Robert Pfanner, Compiler and Editor, and Paschal Quackenbush, Color Consultant, and the National Writers Club who copyrighted this in 1941, not 1942, when presumably there may have been other matters on the national mind.
From the Introduction
All terms fall into one of four classes:
(1) those designating some thing or substance
having literary color-value
such as bamboo or cherry
(2) actual pigments such as cobalt blue
or cadmium red
(3) special names or tints such as sang de boeuf
or clair de lune
(4) miscellaneous terms such as Tyrian,
auburn, and jaundice
Color words tend to fall into two classes:
(1) true color-words or generic terms like
"red" and "yellow"
(2) qttributive terms like "flamingo"
and "jonquil."
"Henna hair" is acceptable;
"Henna red hair" is bad.
"Vermilion scarf" is good;
"vermilion red scarf" is bad.
"cherry red" or "copper red" are correct.
"Taupe purple is clumsy and vague;
more specific would be, "a warm soft taupe."
Only "Tyrian" can modify "purple",
as in the phrase "Tyrian purple."
"Flaming vermilion" is good;
but "flaming pink" makes nonsense.
One might write of a "brilliant magenta"
but never of a "brilliant wisteria".
no excuses, nobody obstructing my path to the bathroom
or library, inner repository. Having to see how I stall and
cajole, what a discipline problem I tend to be. I don't want
to write, I'm too hot, I'm hungry. This chair's too short,
I don't like this table, people are talking downstairs, this
shag rug is too deep, too blue, too green. I'm feverish, I'm
edgy, the coffee had too much caffeine, my fingers hurt.
Browns from the Dictionary of Color Words
Miscell. Browns
hazel: lt.
hay: lt.
brunet: var; lt-drk.
toast: var; lt-drk
tobacco: var; or-blk.
gazelle: var.
nut: var.
bay: neu; wrm; med.
olive: drab; med.
nutmeg: neu; med.
Van Dyke: rich; drk.
roan: prpsh; drk.
seal: wrm; drk.
beaver: v. seal.
burnt cork: rich; drk.
bistre: peppy; drk.
bitumen: or mummy brn:
once made from tarry remains
of real mummies;
now made from asphalt.
Browns can be drab, muddy, rich, dirty, warm, ruddy, rusty, nasty, dark, sordid, purplish, nut-brn, yellowish, reddish, orange, berry-brn, mottled or light.
Thanks to Robert Pfanner, Compiler and Editor, and Paschal Quackenbush, Color Consultant, and the National Writers Club who copyrighted this in 1941, not 1942, when presumably there may have been other matters on the national mind.
From the Introduction
All terms fall into one of four classes:
(1) those designating some thing or substance
having literary color-value
such as bamboo or cherry
(2) actual pigments such as cobalt blue
or cadmium red
(3) special names or tints such as sang de boeuf
or clair de lune
(4) miscellaneous terms such as Tyrian,
auburn, and jaundice
Color words tend to fall into two classes:
(1) true color-words or generic terms like
"red" and "yellow"
(2) qttributive terms like "flamingo"
and "jonquil."
"Henna hair" is acceptable;
"Henna red hair" is bad.
"Vermilion scarf" is good;
"vermilion red scarf" is bad.
"cherry red" or "copper red" are correct.
"Taupe purple is clumsy and vague;
more specific would be, "a warm soft taupe."
Only "Tyrian" can modify "purple",
as in the phrase "Tyrian purple."
"Flaming vermilion" is good;
but "flaming pink" makes nonsense.
One might write of a "brilliant magenta"
but never of a "brilliant wisteria".
Sunday, June 01, 2008
WWU Women's Crew has just won Division II Nationals for the fourth year in a row! I wanted to watch live online, but found the Duxbury Free Library closed for the day after I walked a half hour to get there, plenty early, so I walked home, got into the rental sports car and headed to French Memories Bakery, which doesn't have wi fi, Dunkin' Donuts, which doesn't have wifi. One of the kids working there said the "Big Starbucks" in Marshfield has wi fi. The shift supervisor gave me directions that omitted certain facts that put me behind time-wise, for example, do not take the first W 139 exit you come to or you will wander through a half hour of back country that, while pretty, is keeping you from watching the DII 4's final and the DII 8's petite final. I ended up having to buy a day pass to use the Starbuck's wi fi once I got here, which I think is insulting, expensive and highway robbery (hiway 139W, Marshfield, Mass.) I was able to "watch" the WWU girls (women!) win for the fourth year in a row. The first two Julia rowed for WWU, last year she watched in Tennessee, as intern coach for UW Women's team and this year she watched as assistant women's rowing coach for the University of Miami Hurricanes. There was an online promise to provide live video coverage, which I set up a login for and found not to function. "No video found." So, I "watched" the Jamco coverage, a cartoon update of the course, with <'s and team names put in relative position, as though they are racing right to left, with split times. I've got the Women's Div I Four grand final up on the screen beside this. 500 meters in, Washington (UW) is in first place. They won their heat, the only UW team to do so. They're ahead at the 1000, but had a slower split time than both Virginia and Brown, so things may change at the 1500. They'd better be pouring it on! Virginia is in first place at the 1500, with washington behind by .22 seconds. but with slower split time, so Virginia was moving on them, and, unless they catch fire on the sprint, they're going to be left behind. They WON, with a split time of 1:50.84, compared to Virginia's split of 1:52.71. Good for them!
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