No whiners in our group this year - everyone, even
the girl who has recently dislocated her knee manned
up as we walked the many stairs of the COCC campus.
Jimmy Santiago Baca spoke at 4pm on Thursday
and I was distracted by his hat and his birth year.
He is younger than me - born in 52 to my 51.
I was distracted by the section filled with kids
in military fatigues with their teacher in a green
shirt who, like me, bought the English/Spanish
side by side book of Santiago Baca's poems.
I was distracted by the guy from the Native
American and Latin American club who was
mad last year that we only had two Native
American kids with us, and no Chicanos. In
the Q&A he asked Jimmy about keeping his
traditional ways. "I have no traditional ways,"
Jimmy said. "My grandmother told us nothing."
Did the questioner seethe? I was distracted
by Santiago Baca's assumption that COCC
teachers would demean Chicano writers while
prestigious institutions make their students
read brown writers. Did he say Chicano?
I was distracted by wondering what my
non-demonstrative students were thinking.
I was distracted by Jimmy beginning with
asking audience members what they thought
he meant by his talk title "Breaking Bread
with the Darkness". Because I wanted him to give
to these kids who had come from the margins.
He talked about being shoved to the margin,
refusing to stay there, submissive and invisible,
and here were these eight kids from the margin
who heard a woman comment - someone
always asserts, to be seen by the speaker, at
readings by good writers - that people who
most should be at his talk aren't at his talk
because it cost $35, which would be a valid
point except that these eight kids were there
because a NOW board member had donated
money for their tickets. They wouldn't have
been there at $35/each. I stared at the back
of her head in a mean way for a little while.
As we left Bend last night, at intermission
of the reading - three kids take SATs today,
another's family is going out of town - three
stiltwalkers loomed along the sidewalk
past the van. "I don't want to leave Bend!"
one of the kids cried. The street teemed
with people - 8:30 pm - art walk night -
two of the girls had run from their seats
before the reading - 15 minutes to spare -
to listen to a singer at a little restaurant.
"She was amazing!" they sighed, taking
their seats in time for Michael Dickman,
who three of the girls want to marry.
Barry Lopez intoned sagely from the aircraft
of his gorgeous writing over geographies
he has visited on this planet. I was
entranced, the kids and teacher were
bored. "He has good writing ability,"
one of the boys said, "but there were
too many cookies." Oh how I love these guys.
2 comments:
Don't know why but your post made me want to cry, in a good way. Our tender selves, students broken and healed, all at once. The futility and fertility of what we do, the art we make.
XOXOXOXO ,
Beth
That feeling overwhelms me a lot out here - the futility and the fertility. THANK YOU Beth for putting words to it!
xoxo
Post a Comment